When you start in the childhood period, when you begin to form a comic sense, it was the radio comedians - from the last days of radio and the first days of television. And Spike Jones. And the Marx Brothers. They represented anarchy. They took things that were nice and decent and proper, and they tore them to shreds. That attracted me.
George Washington’s brother, Lawrence, was the Uncle of Our Country.
What I hated most was seeing those priests and brothers getting so much pleasure out of inflicting pain. I wondered what was wrong with them.
There is a core of loneliness. It's partly existential. Secondly, I was raised a loner. My parents were not there. My father was asked to leave because he couldn't metabolize ethanol. Actually, my mother ran away with us when I was 2 months old and my brother was 5. Real dramatic stuff: down the fire escape, through backyards. So, I sort of raised myself. I was alone a lot and I invented myself - I lived through the radio and through my imagination.
I literally didn't know my father. My mother had been a secretary, and after she and my father split, she went back to work for an advertising executive. So my older brother and I were "latch-door kids." We went home for lunch and after school by ourselves.
When I was in seventh grade, I was caught stealing money from the visiting team's locker room during a basketball game. So I was sent to The Brothers. That's what they called this parochial school up in Goshen, New York. I was supposed to get closer supervision there and more "masculine influence," whatever that means. But I was thrown out for telling a couple of really lame kids on the playground that I had heroin.
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