The only reason I got into stand-up was because my brother told me to. I had no idea what I was going to do with my life. I was 17 and my brother went to a comedy club and he said - you can do that.
Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
Recognition is one of the three big elements of comedy.
I didn't come from a wealthy family. I had no money. Maybe it goes back to naivete which is your greatest asset when you're young. If I was starting in comedy today and if it didn't work the first time, I'd probably quit. But I kept at it, kept at it.
When I first started doing my stand-up act, I played the banjo, did comedy, magic tricks, juggled, read poetry. I stuck it all in. I didn't know you were supposed to just stand up and tell jokes. Essentially, that's what my act became: those five elements - except I dropped the poetry.
At first I had no skills in writing comedy. I didn't know what a joke was, but, as someone once told me, your emotions follow your intent. If you create the intention of starting a comedy act, slowly your mind starts adjusting and you arrive at a new emotional state.
I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.
I think there's a difference between making comedy and reporting comedy. When you're a joke teller you can easily fall into the second, you can show up and just say the jokes.
It's the idea that we as people can control our own destinies. The government and the corporations, more even than the government, can't dictate what artwork we're supposed to like or what comedy we're supposed to laugh at.
I want every day to be the most boring news day ever. I want every day to be about spelling bee champions and baby basketball. It's better to have no comedy material than a horrific news day.
I love Buster Keaton and I love physical comedy when it's done in an emotionally understated way. I just like to play it, and I need the attention.
I kind of consider myself... I mean, I try to have my comedy be accessible, and if people are paying $30 to see me in a theater and they want to have their picture taken with me, it's not the end of the world. It's one of those things, where I'm not the only comic who does it. A lot of comics do it. If I'm doing a 4,000-seat venue, it might be a little bit of a different task, but it's all good.
I think comedians get too much credit or too much criticism for the style of comedy they do, and they generally do the style of comedy that works for them. [...] There's no kind of shrewd calculation going into the type of standup we all do. It's like David Cross is supposed to be doing the David Cross' type of standup.
I would like to get back to making people laugh. Before drama school, I did nothing but comedy.
Saturday Night Live was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
I wanted to be a vet before I got into comedy, but then once I found out how much gore goes into that job, I wanted nothing to do with it.
The striking thing about New Girl is that under all the comedy, theres something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
I used to love comic books, and I love American comedy, and neither are afraid to tackle big themes.
People will remember a good comedy song a lot longer than they would some of the so-called straight love songs.
I really love writing comedy. Writing romantic comedy is even nicer because you get to write about how insane we all act when we're falling in love.
I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them.
There can be a science to joke writing, there are certainly rules and patterns that can be followed, but I think most of the best comedy goes beyond the rules.
Comedy is just one of the many professions that women are taking over.
I went to a public high school and most of the comedy was coming from the black kids and the Asian kids and the Hispanic kids. And, the coolest kids to me where always the black kids. They were always fashion forward and they always dressed the coolest. They were always the best dancers, and just the coolest people.
Spurious prudence, making the senses final, is the god of sots and cowards, and is the subject of all comedy. It is nature's joke, and therefore literature's. True prudence limits this sensualism by admitting the knowledge of an internal and real world.
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