Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp.
If the audience knows what's behind the door and the actor does not, that's comedy. If both the audience and the actor do not know, that's mystery!
I have a work-out regime; I am not a maniac. It sounds cliche, but stand-up comedy, doing a one-man show, helps keep me young, and yes, it is exhausting, but I don't collapse.
Comedy is still alive, and there are still funny people. Jews are still overrepresented in comedy and psychiatry and underrepresented in the priesthood. That immigrant Jewish humor is still with us.
A good musical comedy consists largely of disorderly conduct occassionally interrupted by talk.
My thing was always more character-driven comedies, not sketch comedy - not that there's not room for both or one isn't enjoyable, just my personal taste, I like movies that comedy comes from out of flaws of people, things that are uncomfortable, out of tragedy.
I'm not afraid to take on somebody or say something that somebody will find offensive because unfortunately in comedy, you can't say anything really good without offending somebody.
Comedy isn't really something where you get discovered. You can't network your way to being funny or talented. It's not hard to get seen if you're funny. If you're funny, talented, and work hard, you will go somewhere.
My mom is very good at being passive-aggressive, and my Dad is a total wiseass, so I think the mixture of the two of them is my comedy. But, I am definitely the first comedian in my family.
The girls that I grew up with, and my friends and I, we just never had interests in common. I loved comedy. I loved Saturday Night Live, Gilda Radner, Lucille Ball, and Goldie Hawn movies. I just wanted to laugh. I liked women in comedy, and I liked male comics as I got a little older. My interests just never matched up with other girls'.
The best comedy is always played straight down the middle.
The whole thing with comedy is that you are always in control. Writer, director, actor, producer, and sometimes bouncer. And you are just a piece of their puzzle.
I love comedy. I don't approach it any different. I'm not a comedian. I'm not a stand-up. I just do it like a part and personally, I love to watch comedies. If you don't get to do what you like to watch you get frustrated.
The whole acting and Hollywood [thing], it's just work to me. Stand-up comedy ruins you so badly for doing television. I don't really need to be known anymore than I am. The slight sliver of fame I do have is hard to deal with. If I was actually well-known - I don't even know what to say to people who are at my show when I walk into the venue, much less having waitresses in diners asking for my autograph.
I just want to work with talented people who are enjoyable to be with, and take big huge risks from high comedy to deep, dark, brooding drama, to thriller. I just want to go back and forth.
The dramas for me allow me to explore more behavioral, deeper psychological things. But the comedies obviously allow me to explore the idea of really working off other people. I'm having more fun doing that.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
I came to the conclusion that in comedy, everybody gets what they need, whereas in horror, everybody gets what they deserve. I decided that at the end of the day, I was going to give everybody what they needed.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
Earlier I`ve done hatever I could get my hands on to do for a living. I tried a couple of different things, but kitchen work was the best for me, because I took to a nomadic lifestyle before I started doing comedy. If you travel and get to a town and need a job, restaurants are always there.
I come from a very expressive family, so it's really not surprising that we became actors. There was a lot of real-life drama in our house. Some of it was drama, some of it was comedy and some of it was comic-tragedy.
My gift was in comedy. I found out I could make jokes. I could tell jokes. I could write them. So over the years, that's what I've done.
The comedies are not a million laughs on the set. Its business and the dramas are business as well, really. When I'm writing it I struggle more with drama because I started out in comedy.
I'd always wanted to be a dramatic. Comedy comes more naturally to me. I can do it with more facility. So I feel more comfortable with it.
I want to do more drama. Comedy is the path of least resistance for my company. People know we can do them. People know they get a good response. People want to make them. Who am I to push up against that?
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