I'm not a professional comedian. Nobody comes to my comedy shows. That's just a little hobby.
I don't like stand-up comedy that requires a lot of props. I really respect people who can walk out onstage alone and with no other tool but their own minds and can make you laugh and maybe even think a little.
I'm not a comedian so I'll probably get crucified for saying this, but I think with a lot of comedy the impetus behind it is: I've been rejected so many times and I'm bitter and now I'm going to talk about it.
I believe that people, more often than not, act with the best possible intentions. And when they don't, that's funny to me. That's why comedy ends up seeming cynical, because you're talking about the gap between what people say and what they do.
People kept passing our [ with Robert Ben Garant] script around, and suddenly we had this reputation as screenwriters, which we're not - we're sketch comedy guys.
I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.
You don't have to be inspired by comedians. You have to be inspired by things that are real, whether it's music, comedy...a movie - that should inspire you.
So often with beginning writers, the story that they want to start with is the most important story of their life - my molestation, my this, my horrible drug addiction - they want to tell that most important story, and they don't have the skills to tell it yet, so it ends up becoming a comedy. A powerful story told poorly becomes funny, it just makes people laugh behind their hands.
I started doing stand-up at the age of 20. This was back in 1976, around the time (coincidence?) that the first comedy clubs were starting. The young comedians of today gasp when I tell them how many shows I did that first year: 500. Five nights a week.
The masters of the comic spirit are often our prophets.
jokes are ideally pleasurable. They are an act of assassination without a corpse, a moment of total annihilation that paradoxically makes anything possible.
Winter's notion of poetry is tragedy. It knows nothing of comedy. Its laughter was frozen on its lips long ago.
I drank the Kool-Aid of being a network star. Once it didn't happen, I realized it wasn't the best version of my comedy.
I think serious situations actually make for the best kind of belly laughs. But theyre also the hardest to convert into comedy at the outset.
The ability to workshop in stand-up comedy is incomparable to any art form, in my opinion.
People who do comedy are always underrated because they make it look so easy.
I think comedy Ive learned is really just about relaxing and trusting yourself and allowing yourself to fail.
I'm also doing a special for Comedy Central called Autobiography. It's going to be a spoof of Biography.
To give up my job as a temp and actually make a living doing comedy, it was staggering.
I found I had the ability to do comedy. My timing was really inborn.
I had envisioned doing comedy since childhood. For sure.
Comedy doesn't always have to come from a dark place.
Most of the people I know in comedy are not weird or messed up.
I really, really, really want to do a silly romantic comedy where I can just have a crush on the guy, trip over myself, and laugh and be goofy. I just feel like all I do is cry, sob, and fight zombies and the bad guys.
My mom, she's like Why can't you just do a nice romantic comedy like Jennifer Love Hewitt? And I'm like: Mom, look at me. They just don't put me in those movies.
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