I just love biography, and I'm fascinated by people who have shifted our destinies or our points of view.
We do not learn much from learned books, but from true, sincere, human books, from frank and honest biographies.
Biography is the only true history.
I believe that people should write biographies only about people they love, or understand, or both. Novels, on the other hand, are often better if they're about people the writer doesn't like very much.
People think that because a novel's invented, it isn't true. Exactly the reverse is the case. Biography and memoirs can never be wholly true, since they cannot include every conceivable circumstance of what happened. The novel can do that.
It can be a long gap between the emergence of fully researched historical biographies.
The secret of biography resides in finding the link between talent and achievement. A biography seems irrelevant if it doesnt discover the overlap between what the individual did and the life that made this possible. Without discovering that, you have shapeless happenings and gossip.
The immense majority of human biographies are a gray transit between domestic spasm and oblivion.
Biography can be the most middle-class of all forms, the judgment of little people avenging themselves on the great.
Perfect objectivity is always impossible, no matter who writes a person's biography.
Biography is one of the new terrors of death.
I realize that I had always in my heart of hearts planned to write a biography of Marie Antoinette.
I like contemporary American literature and I like biographies and I like jazz and I like baseball and I like writers who write about the human condition and sci-fi is just something that I happened into.
If those gentlemen would let me alone I should be much obliged to them. I would say, as Shakespeare would say... Sweet Friend, for Jesus sake forbear.
All good biography, as all good fiction, comes down to the study of original sin, of our inherent disposition to choose death when we ought to choose life.
I hate biographies which say, I was called to such and such an office, and he offered me so and so, and I got so and so money. I find that very tedious. The best biographies are written by other people.
I have not much interest in anyone's personal history after the tenth year, not even my own. Whatever one was going to be was all prepared before that.
My songs form a kind of biography or diary of my life as they are about people I have loved and people I only knew in my heart, places I have seen only for a moment and places I have lived all my life.
For one who reads, there is no limit to the number of lives that may be lived, for fiction, biography, and history offer an inexhaustible number of lives in many parts of the world, in all periods of time.
The biography of a writer - or even the autobiography - will always have this incompleteness.
What use is there for a biography of myself? I'm just a movie actor.
There is properly no history, only biography.
Biography is a very definite region bounded on the north by history, on the south by fiction, on the east by obituary, and on the west by tedium.
It is also one of the pleasures of oral biography, in that the reader, rather than editor, is jury.
One good anecdote is worth a volume of biography.
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