I believe that sex is a beautiful thing between two people. Between five, it's fantastic.
To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be happy one must love or love to suffer or suffer from too much happiness.
I'm very proud of my gold pocket watch. My grandfather, on his deathbed, sold me this watch.
I failed to make the chess team because of my height.
Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.
The film studios learned to our dismay but to their pleasure that if they spent $200 million making a film they could make half a billion on it. So they were not interested anymore in quality films... They can't afford to be that risky at those prices. Consequently you're getting a lot of remakes, sequels, dopey comedies full of toilet jokes...
Figures tell us there are already more people on earth than we need to move even the heaviest piano.
Dying is one of the few things that can be done as easily lying down.
I think being funny is not anyone's first choice.
Music has always helped my films. In 'The Curse Of The Jade Scorpion,' you can hear 'Sunrise' by Glenn Miller, an idol of my childhood, in the surprise ending. I like mixing comedy with suspense and action.
It seems to me that making escapist films might be a better service to people than making intellectual ones and making films that deal with issues. It might be better to just make escapist comedies that don't touch on any issues. The people just get a cool lemonade, and then they go out refreshed, they enjoy themselves, they forget how awful things are and it helps them - it strengthens them to get through the day.
I'm generally not a social dramatist or comedy writer. My interests have always been more in psychological stories or personal relations and comic ideas.
I like broad comedy. If I had an idea tomorrow for a film that was all slapstick and broad comedy, and it was an idea that interested me, I would not hesitate to do it because I enjoy watching these kinds of film.
I wish I was writing something much more heavy each time I did a film, and that the comedies just occasionally come out. But unfortunately you're stuck with what you're born with.
I'm not a big believer in the sense of Jews having a monopoly on comedy.
If I had my choice in life I would have had the gifts of Tennessee Williams or Eugene O'Neill. Unfortunately my gifts lie in comedy and so comedy comes fairly easy to me and I occasionally have an idea for a very serious piece and I do it, but the ideas don't come that readily to me.
I'm a comedian. I make comic films and there are certain ideas that occur to me that are comic, with heavy, serious undertones. There are some ideas that are more frivolous to me. The next idea that could occur to me could be comedy about death and famine or something.
My gift was in comedy. I found out I could make jokes. I could tell jokes. I could write them. So over the years, that's what I've done.
You make films whether they're dramas or comedies about neurotic people. Flawed people. Interesting personality traits. To make them about calm, stable untroubled people isn't interesting.
I learned a few things on my own since, and modified some of the things he taught me, but everything, unequivocally, that I learned about comedy writing I learned from Danny Simon.
The comedies are not a million laughs on the set. Its business and the dramas are business as well, really. When I'm writing it I struggle more with drama because I started out in comedy.
I'd always wanted to be a dramatic. Comedy comes more naturally to me. I can do it with more facility. So I feel more comfortable with it.
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