I had my own insecurities, which a lot of my comedy would come from, about not being able to live up to their academic expectations. Acting out those insecurities was a way of confronting them, like, “Let me just lean into being a guy who can’t read or write.”
People aren't stupid. People wanna see good movies, especially comedies. Those by the books comedies, I don't get it. Who likes those? Nobody likes those.
Comedy has a responsibility to be a voice of society, so within that, there's always going to be those that talk about those subjects and things that are going on in the world.
I'm really happy that I've been able to make people laugh and distract them from their day to day bullshit at a comedy show or because they enjoyed one of my CDs or TV specials, but I don't know how many people have actually had life changing thoughts because of it.
The beautiful thing about podcasting is it's just talking. It can be funny, or it can be terrifying. It can be sweet. It can be obnoxious. It almost has no definitive form. In that sense it's one of the best ways to explore an idea, and certainly much less limiting than trying to express the same idea in stand up comedy. For some ideas stand up is best, but it's really, really nice to have podcasts as well.
The classic comedian says there's nothing that's taboo; if you laugh at one thing you've got to laugh at everything, that comedy is taking people to dark areas and showing them the light.
The strength of comedy is I don't have to answer to anybody but sometimes you want to learn from other people and see your ideas strengthen by other people.
If comedy is about surprises, about tension, there's a lot of tension and surprise there, in the fact that people are expecting this to be natural.
I'm very interested in trying to make comedy shows that are a bit bigger, more theatrical, more of a "show." Some people might say I'm trying too hard, but that's a compliment to me. I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.
I know it's the comedian's instinct to say, "Do it, man, nothing's off-limits! It's cool, bro!" I don't know if that's the answer for me. "Do I really want to make a joke about a miscarriage when a woman in the audience might have had one?" I don't worship comedy; at the end of the day I don't fall to the altar of comedy unquestioningly.
Comedy should be a source of positivity. I don't want to bully people, and I don't want people to come to my show to feel terrible about something. I'm actually very open to having a conversation about what I should or shouldn't say.
I am completely open to doing a romantic comedy, but I will never do something just for the sake of doing a specific genre or because it's the time or place to do a different type of movie. I think that would be a huge mistake.
When you see Charlie Chaplin, he stays funny. He doesn't become drama, and so what really seems to endure is comedy.
As a live stand-up comedy performer, I have the benefit of choosing real entrance music.
I've made my evolutionary purpose and had children. I don't care if anybody likes me, I'm going to do what I want to do. I'm going to do a whole comedy show about swimming in the loathsomely cold waters of Maine.
I don't care if I tell that story and John Roderick gets up afterward and yells, 'I hope you enjoyed the white privilege, mortality comedy of John Hodgman!' That's me!" I'm going to play a sad Handsome Family song at the end and I guarantee you everyone is going to love it because, sometimes, you need a grown man or woman to tell you what you like.
There are two types of actors. There's the actors who can acknowledge that they could never do standup comedy. Then there's the pretentious ones, who believe that acting is harder than standup comedy. I definitely don't think it is. I also think making a comedy is substantially harder than making a drama.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
I can't imagine being a woman in the world of acting, like where you age starts to weigh you down - you go from being attractive to where they [directors] decided you're out... I feel like with stand-up comedy, it doesn't matter if I've gotten fatter.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
In college I was one of six males who auditioned for five male roles in a comedy play. I was the one rejected. At that moment I made up my mind never to place myself at the mercy of some pompous, goateed, black-turtleneck-shirted "should I yay him or nay him?" pantywaist ever again.
What I'm doing when I'm doing my speaking engagements is that I'm delivering serious material with humor. So, instead of delivering humor without a particular point other than to entertain people, I'm delivering comedy in a serious way.
I try not to make social consciousness a massive part of my music or comedy because I prefer to be an entertainer first and foremost, then do actual grassroots work when I can.
I try not to be influenced when it comes to being creative, just in order to sustain my own voice and character. However, I do have many inspirations from the worlds of literature, music, comedy and film.
When I slid into comedy, naturally the first thing I said was, "hello, I am a washed up rapper."
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