The shouting and opinion and jokes don't exist if there isn't first a story.
A person reveals his character by nothing so clearly as the joke he resents.
I always joke about letting the haters motivate you. Everybody has that in their life, people who doubt them or make them feel less than they are. It just takes faith and belief in yourself, and you've got to dig deep into that. That has to come from you - nobody's going to give you that.
When we're on set, we kind of joke around, and when we're rehearsing, we change up the scenes and make each other laugh. We lighten up the mood. The blooper reel is going to be amazing on 'New Moon.'
I'm looking for laughs, you know? If it take me to flip over a table, if I have to go physical comedy, I will do it. But whatever the joke needs at that particular time, is where I'm dedicated to. I'm not into beating somebody down and beating myself up. I don't do insults and things like that. I don't do it - I'm a storyteller.
I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I'd go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on 'Laugh-In,' Flip Wilson.
It got very tedious saying the same jokes in the same way with the same attitude.
Some of those more out-there jokes were written in the wee hours of the morning. Somehow, they remained funny the next day.
When you are in a room and your job is to write jokes 10 hours a day, your mind starts going to strange places.
Anything where we're the butt of the joke, no one tells us about it.
Specifically in stand-up, I love jokes. I love short, structured ideas and a punchline.
Stand up is really fun because if I think of a joke or a funny idea, then I can just go and tell some people and if they laugh, they laugh right away.
I realized that comedians of the day were operating on jokes and punch lines. The moment you say the punch line, the audience either laughs sincerely or they laugh automatically or they don't laugh. The thing that bothered me was that automatic laugh. I said, that's not real laughter.
I actually credit Twitter with fine-tuning some joke-writing skills. I still feel like I'm working at it.
'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.
Jokes are grievances.
There are certain queer times and occasions in this strange mixed affair we call life when a man takes his whole universe for a vast practical joke.
When I turned about 12 or 13, I realised that being funny wasn't about remembering jokes. It was about creating them.
Poetry is like making a joke. If you get one word wrong at the end of a joke, you've lost the whole thing.
I spent many years laughing at Harry Secombe's singing until somebody told me that it wasn't a joke.
Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.
You achieve the surreal jokes through the realism by making it elastic.
It's a joke to think that anyone is one thing. We're all such complex creatures. But if I'm going to be a poster child for anything, anger's a gorgeous emotion. It gets a bad rap, but it can make great changes happen.
It was a somber place, haunted by old jokes and lost laughter. Life, as I discovered, holds no more wretched occupation than trying to make the English laugh.
If you think something's funny, go with that. Most comedians pull jokes from a place of honesty.
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