You can't just have a good voice. You need a great voice, song, performance and video. When people see you, it all has to match up. There's a lot of missing parts in R&B right now. That's why it's not selling right now. Things that are irresistible, people will pay for it.
A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."
When I'm drawing a bottle or a town or a market, I transport myself there. So I start drawing everything that I'm looking at while I'm there. Here's a guy selling the meat, and he will have a hook, and you start adding things, and it's a lot of fun.
Everything I got comes from Elijah Mohammed. He taught me who I was, he made me proud, he made me fearless, he made me love my own, I’ve turned down millions to keep from selling out my people, the beautiful name Mohammed Ali. And white people cannot destroy me like they have other big ministers of his in the past by telling us oh, you speak good, you should be the leader.White people make me thinkin' that I'm smart, and as soon as I leave Elijah you can get me. But as long as I stay with the Honorable Elijah Mohammed I'm safe.
If I have enough money to support myself, I'll just give stuff away. I just, I want people to see it and I want to be able to do this for a living, you know what I mean? So it's just a balance. If I'm not doing well for five years, then I'm selling stuff, but if I'm doing well and I can afford to give stuff away, I'll always do that.
I can't speak for everybody, but sometimes, people get in this showbiz game and they get the money, but then they forget why they got in the game in the first place. I don't even look at it as fame, I just look at it as me being me, and me going out here everyday and being productive, because I am the product, and I'm selling myself. I'm selling my ambition and my integrity and my adversity, and I'd just like to be that.
The central question for American politics right now is how did the country that elected Barack Obama elect Donald Trump. There's a lot to what Ta-Nehisi says about the racial reaction and backlash. And the power and the force and ultimately the success. The man who was selling this racist conspiracy theory about the first black President's birth: that's what launched him into a political career that ended up getting him elected the President of the United States. That is an absolutely remarkable fact.
I don't make records for this medium with which we're going to sell it. The selling of it can never be more important than what you're actually making. There's too much of that in the world - in everybody's world, not just in music. There's too much, "Are you hip to this kind of stuff?" "Hey, this is cool." "Are you hip to it, because this is what we're selling today?" I think it's bullshit.
There's always this talk of the industry of music and about selling records and whatever, but that ignores probably the majority of music that isn't about trying to sell itself, that isn't about being connected to any industry. There's a huge amount of music where someone just happened to have a tape recorder and turned it on or hit the red button while they were in the back of church or recording something in their front room.
What does God want us to do? As He did with the children of Israel in Egypt - He wanted the children of Israel to separate into a state or territory of our own. You're going to have to decide. Some of you want to stay - stay. Some of you want to be White - be White. But we want to be ourselves; we want something that we can pass on to our children other than a cheap job and a hustle selling drugs and pimping our women.
People like Donald Trump can take all the money that's made from a TV show, from selling neckties made in China, running golf courses, and wipe out that income for tax purposes with depreciation. Only a narrow segment of people qualify for this.
In my movie, "Death By China," it shows Bill Clinton in 2000 promising that when China got into the World Trade Organization we would be making products here and selling them there, and life would be great. Just the opposite has happened. And here's why this has been so devastating - China went into the World Trade Organization and agreed to play by certain rules. Instead, it's violated these rules. For 15 years, it continues to illegally subsidize its exports.
I don't understand why we have laws that prevent someone from walking a school campus and selling alcohol or drugs but somehow can't feed our children who attend those schools a healthy balanced diet, which I think is a lot worse. It's offensive and I think anyone who isn't offended by it is an idiot.
It's hard not to sell out because once, you know, I grew up with working-class parents who definitely, definitely would be disappointed if I didn't take particular jobs being like, "What are you talking about? I would have worked years for that money in like, actual physical labor." So there's a privilege to not selling out. You already have to be in a position where you can look at that money and not care about it.
Obviously, selling out is an issue but it's almost like an uncanny valley where you can be pretty unpopular for a while but you'll have die-hard fans that love you. Then as you get more popular, it'll be great and people will be excited for you and then you get to this middle-level popularity and people are like, "Oh, you're not famous but you're also not - we know who you are." You're just this like hideous disfigured music.
From where I started to where I'm at right now I'm loaded in retrospect to the opportunities that I have. As far as money and the scheme of the world, I don't cash in. I do films because I'm sensitive and maybe stupid, and that I feel like I'm going to have fun on and feel like I'm going to have a good experience with. It's not about punching in and selling soap.
As soon as I sat down to write music, really, with Café Blue. I just can't think about that when I sit down to write. I don't let myself. I actually don't allow myself to look at sales figures. Ever. I get the general impression that I'm not selling like Norah Jones, but I don't really pay too much attention, because I think it would corrupt me.
You never know what your work is going to do, man, so really, you shouldn't worry about it. But pop stars have to worry about it, because that's their commerce. If you're not number one or selling units, you're not going to be able to make a record next year. For us, it's more like an indie-rock attitude. Put it out, work it, and see what happens. It'll have a shelf life.
It's certainly something we haven't seen before in terms of a fully commercial global brand - really a family of brands - not just Trump but also Ivanka, who has a sub-brand. We've never seen this before. We've had presidents in financial conflicts of interest before, but this phenomenon where a sitting president image avatar is out there selling golf courses and condominiums, even as he is in office and having the value of his personal brand inflated dramatically by fact of his being president, is new territory.
Trump's act of construction is not building a building. It is building the meaning of the name "Trump." Because his revenue really comes from selling his name to people who do actually build things. They pay enormous sums of money for the supposed privilege of being associated with the name Trump or the name Ivanka, because of that image construction. That's why it seemed like a good idea for Trump to run for president in the first place.
Catching Trump out not paying his taxes, treating his employees like garbage - none of this sticks to him because that actually reinforces his power, power over other people, which is this specific kind of power that he's selling.
There's a property in Panama where Trump has collected somewhere around $30 million just from selling his name to this property - it's somewhere between $30 million and $50 million. It would be so easy for a developer to slap on an extra $6 million to a Trump licensing deal and have that be a backdoor bribe. Who are we to say what that is worth? It's so ephemeral. And this is the appeal of selling something as ephemeral as a brand name, is that it can be inflated beyond all reason.
In Shanghai, I saw great contrasts. On one street there would be impressive shops selling copies of the latest word in glamorous European fashion, and around the corner on a back street there were poor families crammed into one room with a naked light bulb. One evening I heard a Chinese family singing "Happy Birthday." It was weird. You would have thought that they'd have their own happy birthday song. Every dominant society in the world - whether it's French or British or American - imposes its culture on less developed societies.
Russia makes its money through selling of oil, and we've got underneath us more oil than anybody, and nobody knew it until five years ago. And I want to use it. And I don't want that taken away by the Paris Accord. I don't want them to say all of that wealth that the United States has under its feet, but that China doesn't have and that other countries don't have, we can't use.
We've got a lot of love from Chicago, you know we've been selling out big venues in Chicago that other people don't sell out. Our music is something that's a bit different you know from what's being publicized and that's going against everything else coming out in Chicago.
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