However, in my fiction, I want to give an even further warning of where we're heading. And so, in "Heartland," you have people selling off their topsoil, and an underwater oil spill that has lasted over three-hundred days.
Most bands, when they sign with a major, are from an indie. They usually start off with a big dilemma. They think they're selling a part of their souls or they're losing control over an aspect of their lives or something.
['John F. Kennedy] movie is based on a massive best-selling book, which is always helpful. And then the script was amazing and answered my question, "Why this? Why now?" And the "why now" is that it's 50 years since the assassination, and the country needs to have and will have a conversation about that. And the "why this" is the construct, which I think is sort of ingenious.
I make money from touring and selling merchandise, and I honestly believe if you put effort into something and you execute properly, you don't necessarily have to go through the traditional ways.
We are going to trace more effectively, how these guns are ending up on the streets, to unscrupulous gun dealers, who often times are selling to straw purchasers. And cracking down on the various loopholes that exist in terms of background checks for children, the mentally ill.
I'm not selling out, denying who I am or where I've come from, not at all. I acknowledge that.
I just recently crossed over into Europe. They're showing my special Hot and Fluffy in Europe and selling the DVD there too. And they're doing the same thing in Australia and Canada. And I think the biggest part was I did the special in a predominantly Latino area, but I kept the show mainstream and across the board.
We have to understand that America can't just surrender and lose jobs year in and year out. We have to say to our friend in China, look, you guys are playing aggressively. We understand it. But this can't keep on going. You can't keep on holding down the value of your currency, stealing our intellectual property, counterfeiting our products, selling them around the world, even to the United States.
To view space as, "Well, let's go to Mars now," or "Let's do this now," maybe we should rethink of space as our backyard and have a suite of launch vehicles that can enable any ambition a person has regarding space. It's the same way you can go to buy a car: I want to go offroading, I'll buy this model. I'm a city driver, that's this model. I want to use less fuel, well, that's this model. They're not selling you one car, you have options. So when I think of space, I think of having options.
Our society really needs to take a better look at what we're selling, because I think women being empowered will be as beneficial to men as it is to us.
I feel money is power in certain senses. A lot of women out there are just givin' it away. And then there are the women that're selling their bodies. But they chose to do that. But this is how they make their money. And I don't see anything wrong with that.
I think we all have a certain number of "coming of age" songs, and then a writer has to expand and grow into more varied and specific themes. And the music industry is, like Jawbreaker says, "selling kids to other kids," so it makes sense that those early songs in a writer's life are often the ones that catch people's ears, and later work is more difficult and less immediate.
I don't know where the hell I'll be in 5 years. Maybe I'll be producing movies maybe I'll be on a corner selling apples. I don't know, but I'm having a hell of a lot of fun.
In the mid to late nineteenth century, the gun manufacturers recognized that they had a limited market. Remember that this is a capitalist society, you've got to expand your market. They were selling guns to the military. That's a pretty limited market. What about all the rest of the people? So what started was all kinds of fantastic stories about Wyatt Earp and the gunmen and the Wild West, how exciting it was to have these guys with guns defending themselves against all sorts of things.
I firstly don't think of myself as an activist, I never have. I always say that, I think this word "activist" is relatively recent one. I don't remember when people started being called that or what it means. It reduces both writers and activists, it makes it seem as though a writer's job is to just keep people entertained with best-selling books and the activist's job to keep on repeating the same thing without a great deal of subtlety and intelligence. I don't think either is the case.
The religious rightwingism is directly linked to globalization and to privatization. When India is talking about selling its entire power sector to foreign multinationals, when the political climate gets too hot and uncomfortable, the government will immediately start saying, should we build a Hindu temple on the site of the Babri mosque? Everyone will go baying off in that direction. It's a game.
With one hand, you're selling the country out to Western multinationals. And with the other, you want to defend your borders with nuclear bombs. It's such an irony! You're saying that the world is a global village, but then you want to spend crores of rupees on building nuclear weapons.
At 16, I got a part-time job selling double-glazing door to door. That was soul destroying but the worst part-time job I did was at university working on reception in a sexually transmitted disease clinic. Because no one else wanted to do it, they paid £8 an hour.
The interesting thing about the religious component, for me, is that Jesus hardly mentions sex at all. He's pretty interested in the poor, he's pretty interested in selling your worldly goods and storing up riches in heaven. However, religious fundamentalists have made it all about sex, and that's like saying, "Look at the sex and we're just not going to talk about what you may be doing in a financial way that is sinful."
Clearly, something I am grateful for today is that my father had the strength to recognize and tell me about his activities instead of selling me a fabricated story. I think that helped us build a relationship based on trust.
People are more comfortable with the familiar. It takes selling a big dream that comes with excellent income possibility to get someone to leave his or her comfort zone.
We are in for a fiesta of default, repossession, and distress selling of suburban property, much of which will lose its presumed usefulness and monetary value in an energy-scarce economy.
I think because it is a very well-saturated story,episode of Justified in Hannibal, and we've all heard it in some frame of a story, we've heard the urban legend of waking up in a bathtub with a kidney missing. It felt like if we are telling an organ-harvesting story, it was really about quickly selling the iconography of an organ-harvesting story, and then being able to mask that as a perfect way for Hannibal Lecter to go shopping for his menu.
This was an age before e-books. We all knew that the only way you can allow a book to survive in print in the long term is in paperback. The hardback has a certain life, and then it stops having that. It stops selling, and if you want the book to just stay around there has to be a paperback edition. So if there were not a paperback edition the book would eventually disappear from the shelves, and we would have lost the battle.
There's nothing like getting feedback that's positive and supportive. That's what I'm all about. I'm really just genuinely doing good music. I'm not looking to be on the cover of magazines and I'm not in it for the fame. I'm not in it for selling or the biggest Pop song in the world. I have to go for critically acclaimed. I'd rather go for my peers that I look up to say "I listen to her record." I'd rather do a small little touring venue that has two people who support me as opposed to thousands of people. I mean if it happens, it happens but I'm doing it for me.
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