If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.
A friend of mine is trying to do a documentary where he brings Jewish and Arab comedians to occupied territories in Israel. He wants to do shows as a way of finding some comedic common denominator. When he proposed the idea to one of the officials at the Jenin refuge camp, the guy just stared at him and said, "This is not a joke to us. We don't think that laughing is the answer."
Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."
Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…
I think it's kind of crazy that we're still calling comedians "female comedians." That seems more like a sneak attack.
On the other side of the spectrum, you see someone like Donald Trump, who is using as the basis of his campaign political incorrectness. It's clearly intentional. He'd have to be a complete moron just to coincidentally insult Mexicans, and women, and disabled people, and Muslims. So clearly he's using it as a vote winner. But I think with comedians there's a responsibility.
I think a lot of actors, comedians, musicians, artists are drawn to this world, because you're allowed to excavate whatever it is that you're struggling with, and hopefully turn it into art.
I am a comedian and I started in stand-up when I was 22.
Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.
By watching the great, old comedians I picked up a few tricks about how to do physical comedy. And whenever I could learn something, I sort of added that to my repertoire.
There are words that I wouldn't say because they hurt people's feelings. I just happen to be a white guy who writes for a lot of black comedians but if I wrote for a lot of gay comedians there might be stuff I would say then.
I came from a very different sort of background and pedigree from the people who were on "The Daily Show". I was an actor. I was sort of - the irony is that I've done as much dramatic work in my career as comedic work and I don't really think of myself as a comedian.
I'm such a fan of Lily's [Tomlin], for so many years. I feel like Lily was the first popular mainstream crossover comedian who also was kind of an overtly feminist comedian.
I have to make good things so good comedians want to talk to me.
I think there is a weird loneliness that comes with being a comedian. There is something definitely inside the personality of a person who wants to be a comedian, and (he or she) is looking to connect (to the audience) at all times.
Outside of performing, (a comedian) is someone who is analyzing life, thinking about it and trying to be observing so much. In my opinion, it can make you feel on the outside looking in.
Many comedians - both male and female - do have an "I will never date another comedian" rule.
It's very interesting being an artist and a comedian, (because) you aim for jobs that will feed your ego, but when you get up to the precipice of them, you actually have to deliver. You actually have to understand that you're reaching a new level where there are way more eyes on you, way more expectations and way more pressure.
Let's face it, the great comedians now that are handicapped in the looks department are tremendous writers.
I love doing it [hosting the Oscars] because I love the danger of it and you have to come through and think on your feet. That's why that show, no matter who hosts it, it really should be a fast-thinking comedian who is really quick on their feet that can handle situations that happen, or somebody with that kind of mentality that can capitalize on something.
I was definitely prepared for it to be slower, and it has not worked out that way in any shape or form. I'm grateful as a comedian, and slightly demoralized, occasionally, as a human being - those two things are always very different.
I became a comedian because I didn't want to be bullied anymore. Onstage I was safe.
So many people, my friends and family, were all saying, "You're so funny. Why don't you become a comedian or an actor?" But it wasn't a reality at the time, it wasn't a road that Latin people were accepted in.
I think when I started doing stand-up, that's when I really tried to question everything in my belief system which is - I think a pretty important part of being a comedian is really questioning things.
I love standup comedians. I really do.
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