I can beat anyone, either male, female, animal, vegitable, or mineral.
I believe in the philosophy of staying hungry. If you have a dream and it becomes a reality, don't stay satisfied too long. Make up a new dream and hunt after that one and turn it into a reality.
I'm just going to take this in a minute. The wrestling world, we're kind of our own breed and different from maybe some movie stars who have their big speeches that they do that ends their long career in a roast. You're entire career in the WWE kind of like one big roast, but this is the moment where you get to soak it in and just see what's going on for a minute.
Haha, you lose! I got your delicious Subway sandwich Jerry 'stupid' Lawler!
I make love to the beautiful Maria and you make love to your stick!
You need good coaches with a good gym that teach you the essentials, like boxing, kickboxing, wrestling, and pretty much all the stuff that you need to be successful in MMA.
I'm moved by us, our quirks and mistakes. I find inspiration in everything from a piece of art to the hem of a dress. I'm one of those people who sees Frank Zappa in a cup of coffee, or elephants wrestling in clouds. But also, conscious creation of all kinds moves me. And a divinely expressed performance in any genre sets me completely on fire.
Most people don't know that wrestling came out of the circus.
I have four or five wrestling personalities up my sleeve. I always want to deliver a great match, and my goal will forever be to continue to connect with the fans.
Between my music, my art, and my wrestling - and having the Hardy girls and a great wife - my life is complete.
Music is trying to tell a story, and I love the rock vibe. Hearing that finished product is almost the same high as having a killer wrestling match, you're just doing it with a guitar instead of a partner in the ring.
My worlds are completely different. Painting is a peaceful world, and it's a different vibe than having a great match. You are able to look back at what you created when you finish. Recording music is an entirely different monster. When you finally write something, you do a demo and then you go into the studio. Doing the master version, that's the best feeling ever - especially when you're so proud of what you've written, and you can't wait for people to hear it. That's actually very similar to trying to tell a story in a wrestling match.
The best thing about the Kentucky Derby is that it is only two minutes long. It is the quickest event in sports, except for Sumo-wrestling & Mike Tyson fights. Maybe Drag-racing is quicker, but I have never been attracted to it.
In my era of wrestling, there were no guaranteed contracts, so it was inherent that you draw the crowd in to make money.
In wrestling, my mustache made me look more like a villain. A good mustache can give you the look of the devil.
You're lucky if I watch 10 minutes of wrestling a month. Most of the time, I channel surf, and I lose interest after a few minutes.
Each culture has its own form of staged combat, evolved from its particular method of street fighting and cleaned up for presentation as a spectacle, e.g. savate, Cornish wrestling, karate, kung-fu.
I wrote another wrestling film script. And we finished the shooting [with Lloyd Phillips]. But Henry Winkler came out with his own wrestling film, which did poorly. So the studios passed on ours, and it never got released.
When I wrestled, I would set aside the time to wrestle, so that in my mind it didn't interfere with my study time. If I'd say, "I'm going to study this many hours, then I'm going to go work out and wrestle," then when that time comes, you don't feel like you should be doing something else. That helped me psychologically. But otherwise? When I'm wrestling, I'm not studying the universe. And when I'm studying the universe, I'm not wrestling.
I do not think wrestling is going to save the world.
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of a stunt pilot's turning barrel rolls, or an inchworm's blind rearing from a stem in search of a route. At its worst, it feels like alligator wrestling, at the level of the sentence.
When I was a kid, I was a combination of Elvis, Richard Pryor, and Harrison Ford from Indiana Jones. I didn't know the value of being able to make someone happy. What kid really understands that? It wasn't until I got into professional wrestling that I felt like, "Oh, it's not only incredibly gratifying to achieve something but also to make people happy".
Some people think that Southern hip-hop doesn't have any depth. They think it's just noise, all about people having a good time in the club. And some of it doesn't have a lot of depth, it's true, but some does. I wanted to work against that stereotype. These are verses by Southern artists who are really wrestling with what it means to be here, young black men who are trying to figure out how to live in the South. So I wanted the epigraphs in my novels to reflect that.
Everybody's out there wrestling like a robot.
I don't need to go over a fight scene a million times. I got it. It comes very naturally to me to do that. And our industry is a little more physical than I think some people know, with regard to how much contact is made between WWE Superstars when we're wrestling a match. Whereas on set, sometimes actors aren't familiar with that sort of physicality.
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