I'd worked with Marlon [Brando] a couple of times, and he was a practical joker. He was far more interested in getting jokes out than getting the words out. We laughed all the time.
I can't stand not being able to joke around on set, so I have to.
I love belts. My husband always jokes with me, because he always calls me out on my belts, he's always like, "Just belt it, like you always say."
I feel like a lot of comedies out are just the same consistent joke.
The moment I do any puppy dog acting, I think the joke is dead. It's in the truth of how I play it, and the real painful honesty that I approach my performance with.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
There were some particular themes that I knew I wanted to hit, and when I got deeper into the project I found that it was becoming serious in and on its own. By the end, it's not very funny at all. I think, now, that part of the power of the book is that the jokes are kind of sparkly distractions.
Sometimes my humor does offend people, and I've said it before: I don't write jokes to be offensive. I write jokes to be funny, and I guess what I find funny are things that other people sometimes find offensive. I would love nothing more than to never offend anyone, but it just doesn't seem to work out that way.
I'm excited for the new crop of gay comics who have never been closeted, who never thought that they needed to put on a dress to tell a joke, and it's exciting.
We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.
Brian Posehn went up at 4:45 in the morning. And he gets lost at a certain point. I don't know if we kept him getting lost on the CD. That joke isn't as technically well delivered as I'm sure it is in his Comedy Central special. But the whole disk has this looseness and flavor to it where anything can happen that a lot of people will prefer.
And usually I'm not watching the screen. I'm kind of sitting and looking off to the side, spying on people to see what they react to' cause it's - as Joe Ranft used to say, you know, animation is like telling a joke and waiting for three years to see if anyone laughs
Working with Preme is always a dream come true. It's never like "I'm here and I'm comfortable." It's always like that very first time. It's a lot of jokes being cracked and we have a lot of fun.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
I think probably the best example was the year Jack Palance dropped down and gave us push-ups when he accepted his award for supporting actor. Then we got to throw away a lot of the script because we just did Jack Palance jokes, because it was just too delicious, watching this old man carry on like that.
The United State has a net worth against which our debt is a joke ... we wrote in 2008 the United States is going to come out of this recession fast. The Europeans are going to fragment. The Chinese are going to be cremated. Why could we come out of it? Why has all economic theory been proven wrong? Because we're rich and we could afford it.
My mom was my English teacher in high school. So to be able to bend the rules and be the class clown and get to take on my religion, my mom, and my town all at the same time was glorious. I think the desire to be funny was a mixture of wanting to be liked but also wanting to throw your elbows a bit. If you're cracking a joke in school, it's sort of anti-authority, but it's in the nicest, "Please like me!" way.
Almost no one as I think most leadership books are a joke. They are, as I note in Leadership BS, frequently based on wishes and hopes rather than reality, on inspiring stories rather than systematic social science, and on "oughts" rather than "is."
Authenticity seems like sort of a joke. Actually I believe it was the late comedian George Burns who said, "if you can fake sincerity, you've got it made." People cannot be invariant across situations and roles and, moreover, leaders need to be true not to themselves, but to what others want, need, and expect from them.
Few years ago [Donald] Trump was being roasted by Comedy Central. They always have rules about things that you can't joke about. Donald Trump's rule at that time, the only thing that you couldn't joke about was a suggestion that he has less money that he claimed to.
I'm not really very funny, I just keep recycling jokes.
A friend of mine is trying to do a documentary where he brings Jewish and Arab comedians to occupied territories in Israel. He wants to do shows as a way of finding some comedic common denominator. When he proposed the idea to one of the officials at the Jenin refuge camp, the guy just stared at him and said, "This is not a joke to us. We don't think that laughing is the answer."
Every joke can't be dazzling. And if you think you spotted an inconsistency, you did!
I think the biggest shift for me is - this is going to sound like a wanky actor, but - getting in touch with, and learning to not just appreciate, but actually really enjoy being a woman. Because for so long I was a jock, and I was an athlete, and I was a tomboy, and people would joke about like, fancy dress, you should go as a girl.
I use a lot of humor, and I follow the saying that if you want to tell people the truth, you better make them laugh first, otherwise, they will shoot you. So I can tell you a joke and maybe you will laugh at the beginning. But it's not about telling jokes.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: