Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.
To live is to suffer, to survive is to find some meaning in the suffering.
Examine the life of the best and most productive men and nations, and ask yourselves whether a tree which is to grow proudly skywards can dispense with bad weather and storms. Whether misfortune and opposition, or every kind of hatred, jealousy, stubbornness, distrust, severity, greed, and violence do not belong to the favourable conditions without which a great growth even of virtue is hardly possible?
The discipline of suffering, of great suffering- do you not know that only this discipline has created all enhancements of man so far? That tension of the soul in unhappiness which cultivates its strength, its shudders face to face with great ruin, its inventiveness and courage in enduring, preserving, interpreting, and exploiting suffering, and whatever has been granted to it of profundity, secret, mask, spirit, cunning, greatness- was it not granted to it through suffering, through the discipline of great suffering?
Perhaps I know best why it is man alone who laughs; he alone suffers so deeply that he had to invent laughter.
What makes us heroic?--Confronting simultaneously our supreme suffering and our supreme hope.
Who can attain to anything great if he does not feel in himself the force and will to inflict great pain?
What really raises one's indignation against suffering is not suffering intrinsically, but the senselessness of suffering
Creating-that is the great salvation from suffering.
Shared joys make a friend, not shared sufferings.
The discipline of suffering, of great suffering - do you not know that it is this discipline alone that has produced all the elevations of humanity so far?
The transition from Religion to Scientific contemplation is a violent, dangerous leap, which is not to be recommended. In order to make this transition, art is far rather to be employed to relieve the mind overburdened with emotions. Out of the illogical comes much good. It is so firmly rooted in the passions, in language, in art, in religion, and generally in everything which gives value to life. It is only the naive people who can believe that the nature of man can be changed into a purely logical one. We have yet to learn that others can suffer, and this can never be completely learned.
Rejoicing in our joy, not suffering over our suffering, makes someone a friend.
What is the task of higher education? To make a man into a machine. What are the means employed? He is taught how to suffer being bored.
Does not the discipline of the scientific spirit just commence when one no longer harbours any conviction?
It is impossible to suffer without making someone pay for it; every complaint already contains revenge.
Man alone suffers so excruciatingly in the world that he was compelled to invent laughter.
Pity makes suffering contagious.
Assuming that we have trained our imagination to denounce the past, we will not suffer much from unfulfilled wishes.
Creation is the great redemption from suffering and all life's growing light. But the creator must be suffering if needed and accept much change.
It is only possible through the fact that sympathy for the general life and suffering of mankind is very weakly developed in the individual.
Reckoned physiologically, everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something ugly. His feeling of power, his will to power, his courage, his pride - they decline with the ugly, they increase with the beautiful.
Hope, in its stronger forms, is a great deal more powerful stimulans to life than any sort of realized joy can ever be. Man must be sustained in suffering by a hope so high that no conflict with actuality can dash it - so high, indeed, that no fulfilment can satisfy it: a hope reaching out beyond this world.
THE SUFFERING OF GENIUS AND ITS VALUE. The artistic genius desires to give pleasure, but if his mind is on a very high plane he does not easily find anyone to share his pleasure; he offers entertainment but nobody accepts it. That gives him, in certain circumstances, a comically touching pathos; for he has no right to force pleasure on men. He pipes, but none will dance: can that be tragic?
But what if pleasure and pain should be so closely connected that he who wants the greatest possible amount of the one must also have the greatest possible amount of the other, that he who wants to experience the "heavenly high jubilation," must also be ready to be "sorrowful unto death"?
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