Sometimes I go into my own little world. It's okay, they know me there.
Eventually I got asked to be in a Michael J. Fox sitcom called High School U.S.A. I didn’t think it was funny and said no. They doubled the money, and that kind of offended me. I realized, oh, that’s right, my opinion means nothing in Hollywood. I’d seen other people compromise, and I felt that once you gave up on what you wanted to do, you couldn’t go back. It was selling out. So I decided to go back to Minneapolis.
South Park started as a little video Christmas card.
Mystery Science Theater is really a postmodern show, it's really derived of many influences.
I spend a lot of time thinking about what I do and how it fits into the scheme of things. I won't do something just because it's funny.
A lot of times when I sit down with the other comics and try to talk theory, they say I'm being too serious.
But if you think you aren't creative that's cool, too. I think being around people who aren't creative is kind of refreshing and nice.
Beanie and Cecil was the first cartoon I remember watching and I think there are analogies.
A lot of the shows that really become hit shows are often demonstrated, like Mystery Science Theater.
So the actual riffing came out of us just sitting there and doing it the way I think some people think we really did it, which is all spontaneously, and it really was.
The first twenty shows at TV 23 were really a workshop.
Gypsy was the name my brother gave a pet turtle he had. I always thought it was so peculiar.
If you notice any of the press from when I was with the show, I would always deny it being the year 3000.
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