There is something, yeah, I mean traditionally it's more fun to play bad guys than it is good guys and when you're playing a bad guy, yeah, the fun in it is to see how scary you can be, how horrible you can be. And it's surprising what you come up with.
Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.
In the present world, this technological, psychotic, politicised, nonsensical world, you have to believe that the good guys are going to win! That evil will be banished somehow!
Im a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I dont like passive good guys.
Good guys need to be a little dirty otherwise they're just boring.
The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.
Playing a bad guy is always more fun than playing the good guy.
In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.
It has to be said that the bad guys are often more interesting than the good guys because you get to indulge part of your nature that hopefully gets subsumed most of the time. But I just like playing interesting characters, and variety's the spice of that, as it is with life, I suppose.
The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?
It's a little different being the older guys on the team. We are going to help get the young guys get comfortable. We'll have to get them used to what they will face out there this season. There are some good guys out there. They know what they have to do to win.
To me, Kane's always been a good guy, a good teammate. I think now he's got a girlfriend. You can tell, he's 24, turning 25, he's not 18 or 19 anymore. It's kind of fun seeing him and Toews get a little bit older, have girlfriends. They're starting to stay in on a Friday night, watch a movie instead.
My mother was the one who totally got behind me as far as, do things and ask questions later. My father would say, "I don't care how dirty you are up there, just be funny." Because they knew me offstage. They knew I was a good guy. They knew my whole plan of becoming the most exciting comedian, visually, ever. A real rock-and-roll stand-up comic.
I have done scenes as Harvey Two-Face. It's interesting. I won't tell you exactly what we're going for, but I think that I can say that it will use all of today's technology to create this character. He's going to be interesting, and I think that's what makes this character important in the movie-you get to see him as he was before, as in the comic books. Harvey is a very good guy in the comic books. He's judicious. He cares. He's passionate about what he loves and then he turns into this character. So you will see that in this film.
Such is the content of the mental life of the Hemingway hero and the good guy in general. Every day he gets beaten into a servile pulp by his own mechanical reflexes, which are constantly busy registering and reacting to the violent stimuli which his big, noisy, kinesthetic environment has provided for his unreflective reception.
You know, you find that these stories ... will turn one of us into the good guy and one of us into the bad guy. If you look at it closely or even not that closely ... it's ridiculous.
It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
My son, who's on the spectrum is a very rigid thinker. He needs clear-cut definitions of right and wrong. Anything hazy or gray confuses him. For instance, if I try to get him to see that a friend behaved badly, he'll often get upset with me because a friend is a 'good guy' by definition, in his book.
The good thing about Pittsburgh, it's a good place to be raised... it doesn't tolerate assholes. You're either a good guy or you're a bad guy... When I'm in Los Angeles having these incredibly surreal moments where nobody's saying anything and everybody's talking incessantly, I always have that Pittsburgh voice in my head - shut up, smile, get the job, move on.
I learned the bad guys are not always bad, the good guys are not always good.
See the other person's potential for kindness and bolster your own expression of kindness. If you see them in a negative way, the power of your perception will only help to keep them that way as you polarize yourself from them, assuming a superior role, seeing yourself as the good guy and them as the bad guy.
Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.
My mom had this inate ability. Whatever town my mother moved to, the second she walked into town, she would instantly attract the alpha loser of that town. This guy was not a good guy. This guy was half O.J. Simpson and half O.J. Simpson. Scott Peterson sprinkles on the top, a side of Robert Blake. You know, not a good guy.
Young ghetto boys thought that in this society, the good guys lost and the bad guys won.
You know, the best-laid plans of mice and men... I like playing bad guys, and I don't have a problem doing that. They're interesting characters, and there's as many different kinds of bad guys as there are good guys - they're rich, they're strong, they're powerful, and so that's fine with me.
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