I'd say I'm a revolutionary optimist. I believe that the good guys -the people- are going to win.
I learned the bad guys are not always bad, the good guys are not always good, and to quote Captain Barbossa, the parameters are like rules, mostly guidelines. And that it takes a little bit of bad boy to fight the evil in the world. --Terri Mitchell
You want to believe in black and white, good and evil, heroes that are truly heroic, villains that are just plain bad, but I've learned in the past year that things are rarely so simple. The good guys can do some truly awful things, and the bad guys can sometimes surprise the heck out of you.
Eve: Anyway, thanks for riding to the rescue. You need a white hat. Good guys wear white, right? Roarke: I look better in black.
All of political history history can be summed up as a struggle to throw the bad guys out and put the good guys in.
Let me tell you how the story ends, where the good guys die and the bad guys win. It doesn't matter how many friend you make, but the graffite they write on your grave.
Boy, did he depress me! I don't mean he was a bad guy- he wasn't. But you don't have to be bad guy to depress somebody- you can be a good guy and do it.
The creation and destruction of harmonic and 'statistical' tensions is essential to the maintenance of compositional drama. Any composition (or improvisation) which remains consonant and 'regular' throughout is, for me, equivalent to watching a movie with only 'good guys' in it, or eating cottage cheese.
In war, good guys always become bad guys.
What you and I might rate as an absolute disaster, God may rate as a pimple-level problem that will pass. He views your life the way you view a movie after you've read the book. When something bad happens, you feel the air sucked out of the theater. Everyone else gasps at the crisis on the screen. Not you. Why? You've read the book. You know how the good guy gets out of the tight spot. God views your life with the same confidence. He's not only read your story...he wrote it.
When the law disarms good guys, bad guys rejoice.
You know me better than anyone, and you're my best friend. I don't think there's anything you could say to me that would lead me to believe that you're doing it just to hurt me. If there's one thing I've come to know about you, it's that you're not even capable of something like that. Why do you think I like spending time with you so much? Because you're a good guy. A nice guy.
We wouldnt ever eat anybody, would we? No. Of course not. Even if we were starving? We're starving now. You said we werent. I said we werent dying. I didnt say we werent starving. But we wouldnt. No. We wouldnt. No matter what. No. No matter what. Because we're the good guys. Yes. And we're carrying the fire. And we're carrying the fire. Yes. Okay.
I've played some good guys as well, in Spartacus, Paths of Glory and my favorite picture, Lonely Are the Brave, so I had a mixture of parts in my life.
The real problem is not the bad guys; it is that good guys have gone to sleep.
As an actor, you have to be able to take all sides as well. You have to at least be able to understand things. No bad guy looks in the mirror every morning and says, boy, I'm gonna be a real bad guy this morning. He goes after his own what he's after, just like us good guys. You kind of have to take a stand and, a lot of times, you have to take the writer's stand or the stand of the character this writer has created.
Really a bad guy is more interesting, dramatically, than the good guy.
We start off wearing frilly shirts and britches and being good guys and the heroes. And then as time goes on, every English actor ends up playing bad guys. That's what we do.
There's only room for one hero in this story-and everyone knows the devil doesn't get to be the good guy.
You need the villain. If you don't have a villain, the good guy can stay home.
The whole tradition of cinema is dominated, really, by films about good guys versus bad guys, good versus evil. But we have very few films about the nature of evil itself.
Do you still think I'm the good guy?
What it is coming down to is who runs the country. It's us against them. It's the good guys versus the bad guys. It's the God-fearing people against the pagans, and some of the pagans are going to church.
There are a lot of good guys that I race against, and that's what I enjoy the most.
We are living in complex, difficult times and I wanted Syriana to reflect this complexity in a visceral way, to embrace it narratively. There are no good guys and no bad guys and there are no easy answers. The characters do not have traditional character arcs; the stories don't wrap up in neat little life lessons, the questions remain open. The hope was that by not wrapping everything up, the film will get under your skin in a different way and stay with you longer. This seemed like the most honest reflection of this post 9-11 world we all find ourselves in.
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