You want to be able to say [to Ethan Hawke's character], "Dude, it's okay," but maybe it's not. Maybe he's not a good person. I don't know. That's the thing about people. There is no real good guy or bad guy [in A Valley Of Violence]. It's all context.
Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves.
Kim Coates is really funny. He's a blast. If you have to get beaten up and tortured, he's a good guy to get tortured by.
I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record ["Peace Trail"].
I see myself in everything I write. All the good guys are me.
I'm just somebody who tries to write things that entertain people. And if I can do it in a way that makes them prefer to emulate the good guy than the bad guy, I'm happy.
I cannot imagine why a woman would ever call herself anything but a feminist. But a man calling himself a feminist, what does that mean? The answer is he wants to be taken as a good guy. Your choice is between saying you're a feminist and raising a flag at a "Take Back the Night" rally and being a men's rights activist, which is basically the only two ways men have of talking about gender right now, I mean that's just ridiculous. That's just two extremes that are totally useless.
Al Gore was a good guy and he wanted to give flextime to American women who are trying to balance work and family, but he couldn't because the business interests are organized, and they don't want it to happen.
There comes a point when you've exhausted your opportunities playing good guys. I've been around long enough, I think I'm entitled to explore a bit. But what I saw there was an opportunity to play a character different from what the audience's expectation was. A chance to take their crude experience of me - of my iconography, if you will - and turn it on its ear at an appropriate juncture in the film to be useful to the process of telling the story.
I'm a tough guy, but I'm a good guy, I'm durable because when you play football they want you being tough, not just because you sprain your ankle crying "Mama, mama!"
Although, people make mistakes in their lives, and you could say that the mistakes make us who we are, by how we respond to them. I just don't want to play boring good guys.
But you know, I'm very conscious that people criticize Hollywood. Yet we've created a form, the Western, that can be understood in every country. The good guys against the bad guys. No nuances. And the horse is the best vehicle of action in our medium. You take action, a scene, and scenery, and cut them together, and you never miss.
Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits and the cute creatures are the good guys, and everything that's ugly are the bad guys.
I think it's very interesting how an American network chooses to tell this story. We don't name one country the good guy and the other country the bad guy. We talk about this co-responsibility that we share, in everything.
First of all, I never think of my characters as good or evil. I play them as honestly as I can. When you're playing a good character, you have an idea that you're playing the hero and the good guy.
Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required. I have to protect my goddess, as best as I can.
As far as I'm concerned, I'm the good guy. I'm doing my job. That's how I look at it. I don't look at it as good or evil. I look at it and say, "I have a job to do. I love this woman. I love the people that I work with. They take care of me. I'm going to do whatever I can for them."
I did a lot of research on villains, and guys who start behaving nefariously didn't start out as bad people. My research indicates that all of these people were scorned and hurt by love. Darth Vader didn't start off as a bad guy. He was a good guy. Only when Natalie Portman betrayed him, did he go to the dark side.
There's usually a sense of humor about all of it. It is what it is. I had two characters that were equally detestable, in very different ways, that hit the airwaves, at the same time. It was a very interesting year in my career, in that way. But I have no fear, on that note. I have a new project for HBO, where I'm going to play the good guy. That's going to be fun and exciting, and shift the paradigm a bit.
The number one thing for me is diversity. I always want to ensure that people can't put me in a box. I can play a bad guy, I can play a good guy, I can play a good bad guy, I can be the host of a show, I can be serious, and I can be funny.
(Wil Wheaton) was so fun to have on the set, and he was such a good guy, just in general. He seemed to be completely okay with the fact that his entire name became a mantra of vengeful hate. That didn't seem to bother him.
I remember a prominent conservative media figure, talking to him about prominent liberal media figures that he knew, that he liked. And I questioned him. "How can you trust these people? I mean, these are..." "No, no! They're good guys. In fact, one of them likes you, says you're not a hater." And I was supposed to be thrilled to hear this!I was supposed to be mollified that some liberal media figure had just pronounced I was okay because, after he had listened to me, he had determined I wasn't a hater. I did not take that as a compliment, and I got kind of mad.
I think we had an incredible opportunity to capitalize on that right up to Libya. I think we've made a step toward something that might be a mistake. I personally believe Saddam Hussein and Ghadafi are not good guys by any judgement, and there are ways to deal with it beyond what we did. Once you decide to attack, it paints an ill-conceived picture.
I've never seen a Western that was really truthful. Most are just morality plays. Good guys and bad guys - and the good guys always win, whereas in reality most of the sheriffs were as bad as the gangsters they were after.
I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .
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