It is only when mind and character slumber that the dress can be seen. If the intellect were always awake, and every noble sentiment, the man might go in huckaback or mats, and his dress would be admired and imitated.
I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions.
This very certain that each man carries in his eye the exact indication of his rank in the immense scale of men, and we are always learning to read it. A complete man should need no auxiliaries to his personal presence.
Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection.
Every natural fact is a symbol of some spiritual fact. Every appearance in nature corresponds to some state of the mind, and that state of the mind can only be described by presenting that natural appearance as its picture.
A complete man should need no auxiliaries to his personal presence.
The office of the scholar is to cheer, to raise, and to guide men by showing them facts amidst appearances.
Always scorn appearances and you always may.
The astonishment of life is the absence of any appearances of reconciliation between the theory and the practice of life.
Outside among your fellows, among strangers, you must preserve appearances, a hundred things you cannot do; but inside, the terrible freedom.
Thefts never enrich; alms never impoverish; murder will speak out of stone walls. The least admixture of a lie-for example, the taint of vanity, the least attempt to make a good impression, a favorable appearance-will instantly vitiate the effect.
By virtue of this science the poet is the Namer, or Language-maker, naming things sometimes after their appearance, sometimes after their essence, and giving to every one its own name and not another's, thereby rejoicing the intellect, which delights in detachment or boundary.
Every fact is related on one side to sensation, and, on the other, to morals. The game of thought is, on the appearance of one of these two sides, to find the other: given the upper, to find the under side.
Men do what is called a good action, as some piece of courage or charity, much as they would pay a fine in expiation of daily non-appearance on parade. Their works are done as an apology or extenuation of their living in the world. I do not wish to expiate, but to live. My life is not an apology, but a life.
People that seem so glorious are all show; underneath they are like everyone else.
The universe is the externisation of the soul. Wherever the life is, that bursts into appearance around it. Our science is sensual, and therefore superficial. The earth, and the heavenly bodies, physics, and chemistry, we sensually treat, as if they were self-existent; but these are the retinue of that Being we have.
Men are like Geneva watches with crystal faces, which expose the whole movement.
Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called "silent poetry," and poetry "speaking painting." The laws of each art are convertible into the laws of every other.
Men in all ways are better than they seem.
Hence, the less government we have, the better,--the fewer laws, and the less confided power. The antidote to this abuse of formalGovernment, is, the influence of private character, the growth of the Individual; the appearance of the principal to supersede the proxy; the appearance of the wise man, of whom the existing government, is, it must be owned, but a shabby imitation.
We first share the life by which things exist, and afterwards see them as appearances in nature, and forget that we have shared their cause.
There is no event greater in life than the appearance of new persons about our hearth, except it be the progress of the characterwhich draws them.
Prudence is the virtue of the senses. It is the science of appearances. It is the outmost action of the inward life.
Proverbs, like the sacred books of each nation, are the sanctuary of the intuitions. That which the droning world, chained to appearances, will not allow the realist to say in his own words, it will suffer him to say in proverbs without contradiction.
Power obeys reality, and not appearances; power is according to quality, and not quantity.
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