Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.
Raphael paints wisdom, Handel sings it, Phidias carves it, Shakespeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it.
And I myself, in Rome, heard it said openly in the streets, "If there is a hell, then Rome is built on it." MARTIN LUTHER, Against the Roman Papacy, An Institution of the Devil London is the epitome of our times, and the Rome of to-day.
An institution is the lengthened shadow of one man; as, monachism of the Hermit Anthony, the Reformation of Luther, Quakerism of Fox, Methodism of Wesley, abolition of Clarkson. Scipio, Milton called "the height of Rome;" and all history resolves itself easily into the biography of a few stout and earnest persons. Let a man, then, know his worth, and keep things under his feet.
Truth gathers itself spotless and unhurt after all our surrenders and concealments and partisanship; never hurt by the treachery or ruin of its best defenders, whether Luther, or William Penn, or St. Paul.
Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called "silent poetry," and poetry "speaking painting." The laws of each art are convertible into the laws of every other.
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