Fear always springs from ignorance.
Spring still makes spring in the mind When sixty years are told: Love wakes anew this throbbing heart, And we are never old Over the winter glaciers I see the summer glow And through the wind-piled snowdrift The warm rosebuds below.
Sleep is not, death is not; Who seem to die Live. House you were born in, Friends of your spring-time, old man and young maid, Day's toil and it's guerdon, They are all vanishing, Fleeing to fables, Cannot be moored
Passion, though a bad regulator, is a powerful spring.
What potent blood hath modest May.
By the rude bridge that arched the flood, Their flag to April's breeze unfurled, Here once the embattled farmers stood, And fired the shot heard round the world. The foe long since in silence slept; Alike the conqueror silent sleeps; And Time the ruined bridge has swept Down the dark stream which seaward creeps. On this green bank, by this soft stream, We set to-day a votive stone; That memory may their deed redeem, When, like our sires, our sons are gone.
Only to youth will spring be spring.
Daughter of heaven and earth, coy Spring, With sudden passion languishing, Teaching barren moors to smile, Painting pictures mile on mile, Holds a cup of cowslip wreaths Whence a smokeless incense breathes.
If a man knows the law, find out, though he live in a pine shanty, and resort to him. And if a man can pipe or sing, so as to wrap the imprisoned soul in an elysium; or can paint a landscape, and convey into souls and ochres all the enchantments of Spring or Autumn; or can liberate and intoxicate all people who hear him with delicious songs and verses; it is certain that the secret cannot be kept; the first witness tells it to a second, and men go by fives and tens and fifties to his doors.
The wheels and springs of man are all set to the hypothesis of the permanence of nature. We are not built like a ship to be tossed, but like a house to stand.
The glance is natural magic. The mysterious communication established across a house between two entire strangers, moves all the springs of wonder. The communication by the glance is in the greatest part not subject to the control of the will. It is the bodily symbol of identity with nature. We look into the eyes to know if this other form is another self, and the eyes will not lie, but make a faithful confession what inhabitant is there.
Passion, though a bad regulator, is a powerful spring. Any absorbing passion has the effect to deliver from the little coils and cares of every day: 'tis the heat which sets our human atoms spinning, overcomes the friction of crossing thresholds, and first addresses in society, and gives us a good start and speed, easy to continue, when once it is begun.
The glance is natural magic. The mysterious communication established across a house between two entire strangers, moves all the springs of wonder.
Solitary converse with nature; for thence are ejaculated sweet and dreadful words never uttered in libraries. Ah! the spring days, the summer dawns, and October woods!
All things with which we deal preach to us. What is a farm but a mute gospel? The chaff and the wheat, weeds and plants, blight, rain, insects, sun,--it is a sacred emblem from the first furrow of spring to the last stack which the snow of winter overtakes in the fields.
We are reformers in the spring and summer, but in autumn we stand by the old. Reformers in the morning, and conservers at night.
It is the essence of poetry to spring, like the rainbow daughter of Wonder, from the invisible, to abolish the past, and refuse all history.
In nature, all is useful, all is beautiful. It is therefore beautiful, because it is alive, moving, reproductive; it is thereforeuseful, because it is symmetrical and fair. Beauty will not come at the call of a legislature, nor will it repeat in England or America its history in Greece. It will come, as always, unannounced, and spring up between the feet of brave and earnest men.
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