You want to make an impression. Being clever helps.
Not so much a film as a visual essay, exquisitely directed and photographed (by Sacha Vierny)... Difficult to watch but well worthwhile for those willing to be challenged.
Los Angeles has the greatest concentration of surviving movie palaces in the United States, yet most residents have never been inside one of them.
Hollywood executives believe that money is both the be-all and end-all to the moviemaking process.
Dumbo... makes me cry. Every single time and in the exact same spot. I just have a special affection for Dumbo.
When Tim Allen made The Santa Clause, I thought that was a delightful film. It took a modern sensibility but layered onto it a kind of sentiment.
Hitchcock's murder set-pieces are so potent, they can galvanize (and frighten) even a viewer who's seen them before!
I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.
I teach at USC. I have a big class of 360 kids, only about a fifth of whom are film majors. I don't just show the Hollywood blockbusters. I show independent films, foreign films, documentaries.
With massive doses of eye-popping special effects I applaud the visual achievements in 'Dawn of the Planet of the Apes.'
Timing in life is everything.
Audiences deserve better.
I think people in Hollywood are afraid of sentiment because they think audiences will reject it.
Walt Disney’s Mickey Mouse... by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren’t necessarily plugged into comic strip history... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers.
Beauty and the Beast became the first animated feature ever nominated for best picture.
Everyone is looking for the sure thing. They are looking to hedge their bet. They think the way to do that is to go with a proven quantity, a remake of something you have already seen. That is their mindset.
Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.
The last person to stand still and repeat himself was Walt Disney. He refused to repeat himself. So to think that he'd be making the same kind of film in the year 2001 that he made in 1941 is absurd.
I'm a lifelong Disney nut.
Television is what made It's a Wonderful Life the classic it is today.
If I were less than honest as a critic, I think people would spot that right away, and it would destroy my credibility.
A Christmas Carol is such a fool-proof story you can't louse it up.
It says something about the curious nature of film, that someone can be so alive on screen, when we're all too aware that they've passed. it underscores how we're mortal, and films are immortal (commenting on the death of Heath Ledger)
Joe Berlinger's documentary 'Whitey' is so hard-hitting and compelling, you can't take your eyes off the screen.
The subtle performances of the leads, the remarkable Irrfan Khan and the engaging Nimrat Kaur, make 'The Lunchbox' a pleasure to watch.
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