It requires wisdom to understand wisdom: the music is nothing if the audience is deaf.
Music is still part of my spiritual life. Sometimes I sing my prayers. When I get audiences singing, I hope I'm helping them feel connected to something beyond themselves.
I look for every opportunity to mix comedy and horror and tragedy. I love catching audiences off-guard.
Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience.
We see films all the time, whether they have access to all kinds of intellectual property or artifacts, and the one thing that they don't get is story. So I think whether you're talking about a biopic or an action film or a science-fiction film that has all the CGI in the world, if you're not trying to connect with an audience, it doesn't really matter.
Never treat your audience as customers, always as partners.
Tell the audience what you're going to say, say it; then tell them what you've said.
Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
I try to do something the audience might not have seen before.
To have great poets, there must be great audiences.
My audience is much more center right, or centrist.
It's rare that you cut out something that is really good. You screen all of it, and when the audience doesn't respond, you cut out whatever is holding the story down.
I look at myself as an audience member. I still love movies, and I still go and sit in the back of the big dark room with everybody else, and I want the same thrill.
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
There's no greater way to gain an audience's sympathy than by being unfortunate.
Make sure you have finished speaking before your audience has finished listening.
If you think you're boring your audience, go slower not faster.
When [actors] are talking, they are servants of the dramatist. It is what they can show the audience when they are not talking that reveals the fine actor.
Standing ovations have become far too commonplace. What we need are ovations where the audience members all punch and kick one another.
In the theatre the audience want to be surprised - but by things that they expect.
Any authentic work of art must start an argument between the artist and his audience.
When an audience does not complain, it is a compliment, and when it does, it is a compliment, too, if unaccompanied by violence.
Actors should be overheard, not listened to, and the audience is 50 percent of the performance.
I love playing live, I don't like studios all that much. I need the reaction of the audience.
If you give an audience a chance they will do half your acting for you.
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