Don't cater to the audience. Inspire the audience.
The larger and more indiscriminate the audience, the greater the need to safeguard and purify standards of quality and taste.
I am all for art's finding a large audience. But the way that's happening now, with big works filling big galleries and bigger shows, is mostly stopping statements from being made. Or heard. Or talked about. Or really examined. It's watering things down.
Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage - that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.
An alive piece of art may be more alive than much of its audience, and with this odd truth artists must make peace.
A designer…has the true responsibility to give his audiences not what they think they want, for this is almost invariably the usual, the accustomed, the obvious, and hence, the unspontaneous. Rather, he should provide that quality of thought and intuition which rejects the ineffectual commonplace for effectual originality.
I always say about acting: the audience doesn't come to see you, they come to see themselves. So if you're able to give them an experience where they feel, 'Oh, my gosh, that's me, that's my story, they know!' then you've done your job.
Our strong suit is what we do, and our audience.
You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
You've got to work. You've got to want an audience to sit forward in their chairs sometimes, rather than sit back and be bombarded with images.
We do have our finger on the pulse of the marketplace, if for no other reasons than having all these live events and listening to our audience all the time.
Now in a way, money is money, and if it's going to increase our audience, that's fine.
I'm perfectly happy when I look out at an audience and it's all women. I always think it's kind of odd, but then, more women than men, I think, read and write poetry.
The bulk of my set is instrumental and you have to give yourself and the audience some relief because a performance is not about great guitar playing it's really about entertainment.
A lot of my audience are in their 50s. But they want me to pretend to continue to be pretending.
You make an open-ended proposition and the audience completes it somehow. That’s what you hope an artwork to be-a constantly living thing.
Most actors spend a lot of time training themselves to be an actor. And I kind of didn't do that. I just started doin' it in front of an audience and had to deliver.
Inside was the second LP album of a comedian's performance before an audience.
My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
It's rather like attending a university seminar where you are talking to a few gifted specialists who deliver a paper to an audience of their peers. That's one way of making music.
An audience is an abstraction; it has no taste. It must depend on the only person who has (pardon, should have), the conductor.
I like a movie that the audience actively has to participate in, and not just casually observe. Whatever my part in it, just as an audience member, I find that exciting.
Whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience - who knows when such a malady may strike?
My desire is to be pure again and not dirtied by the world. But it's my duty to be as ugly and as filthy as I am, so the audience can experience what I have.
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