Woody makes a movie as if he were lighting 10,000 safety matches to illuminate a city. Each one is a little epiphany: topical, ethnic, or political.
In politics, the definition of a real man is different from, I would say, outside Washington or outside the establishment. I don't think that's even arguable. But human nature is what it is, and men (straight men) want women. And it's always a challenge. It's never a piece of cake. You're rejected. You know Woody Allen? One funny thing he really said. Somebody said, "Woody, what has success meant?" He said, "It means being rejected by a higher class of woman." Life is filled with rejection. Men - nobody - women, they don't like rejection.
I find more and more, as time goes on, these people I meet, they are starting to become these people I look up to more and more. Like Julianne Moore, also, on Crazy Stupid Love: kids, husband, priorities straight. Or Woody Harrelson's like that. Those are the people I really admire, and that's success to me: being able to balance that life and not buy into it. And do the work that you want to do and makes you happy, because you're lucky enough to do it. But if I never got a role again, I've got this incredible life.
I think when people think of music from coming from Oklahoma, they think of Toby Keith or even Garth Brooks or even Woody Guthrie. People think, "Why do we have to just be about the Bible and about football? Why can't we be about something like the Flaming Lips?" And I salute them! I say, "Well, that's great if you want that."
Woody Guthrie was what folks who don't believe in anything would call an anomaly.
Woody Allen once said: "You know there must be intelligent life in space. The question is do they have good Chinese restaurants and do they deliver?" Which is really a joke, but it is also a very profound remark. When you say do they have good Chinese restaurants, what you're really saying is, "How much are they like us?" And when you say, "Do they deliver?" you're saying, "Can they get here?" Both of which are profound questions. And at the present, we have no answers.
I really like Woody Allen, I really like John Cassavetes, and I really like movies that are super-naturalistic. I studied film studies in college, but I slept through all the movies, and I love film but I don't have a lot to reference. And so I don't know what my influences are and I don't know where this came from at all.
I went to high school right outside Dallas, and (songwriter and performer) Michael Martin Murphey was a senior there when I was a sophomore or junior, really into folk and acoustic music. Larry Gross, who's the host of "Mountain Stage" on public radio, and B.W. Stevenson, also a musician, were there at the same time, too. Michael was a big inspiration -- through him I discovered Woody Guthrie, Dylan, Jimmy Rogers. Then I ran into Jerry Jeff Walker there in Dallas back when he was just a folk singer. Those are my earliest influences.
I'm very physical. I'm extremely active, and I would love to do something a little more sexy and dangerous, a la Sophia Loren, or funny and humorous, a la Woody Allen. Getting to do things along those lines would be extremely wicked and a dream come true.
I think I'll be Scottish in every movie I write. They always try to talk me out of it, but Woody Allen is always a nebbish New Yorker. Why shouldn't I be a goofy Glaswegian?
Even death is wonderful because, as Woody Allen says, we're not going to know when it happens.
Martin Scorcese is probably America's greatest living director, and while he is not a titan like John Ford or Alfred Hitchcock or Federico Fellini, he is certainly consistently more interesting than Steven Spielberg, Brian de Palma, Francis Ford Coppola or Woody Allen. Even a failure like Gangs of New York or a curiosity like The Aviator is more interesting and ambitious than Munich, The Black Dahlia or Scoop.
On this side of the Atlantic, the arrival of a new Woody Allen movie is always greeted with tremors of bliss by filmgoers past the age of 60, with mild curiosity by those in their 50s, with trepidation by those in their 40s, with fear and loathing by those in their 30s, and with complete indifference by anyone younger. An icon to baby boomers, who will never concede that when something is over, it is really over (Clapton, McCartney, Santana, the 1960s), Allen has not made a truly memorable film since Bullets On Broadway back in 1994.
Anytime I am spending time with my son. We went to a theme party recently and it was Toy Story. He was Buzz Lightyear, I was Woody and his mom dressed like Woody's wife.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
I grew up with such mixed feelings about LA, but I do love it. I grew up lectured by Woody Allen, for example, that LA was absurd, worthy of ridicule and contempt. Most people seem to describe Los Angeles as elementally despicable, or as someplace that requires an apology.
I did admire the comments and the music of Pete Seeger and Woody Guthrie. And that didn't fly too well in the Deep South. It was not quite redneck enough.
Long John would sometimes hold his interviews in the Carnegie Delicatessen, which is the most famous delicatessen in New York up by Carnegie. Let's see, 57th Street, you're down to like 50th Street and 7th Avenue... You'd go in there and everybody would be eating a heart attack on a plate, pastrami, malts, that kind of stuff. But it literally was the place where Woody Allen would go.
I will tell you that the ego in me would love to play the lead. I would have loved to have been Buzz Lightyear, or Woody in "Toy Story," "Toy Story 2" but they hire celebrities for that, well-known people.
I remember calling and asking, because I had a few lines that were like, "How could the character have done this?" and I hadn't read the part of the script that said what she [ Cate Blanchett] did, so they put me on the phone with Woody... Allen. I don't know if I could really say "Woody."
But nothing beats a Woody Allen film on a Sunday night, with a glass of wine and some leftovers.
I went through this very serious Woody Allen phase in college and a little bit after college. I still see his movies.
I have a four-and-a-half-year-old and, when she was two and a half, she would make my wife and I do voices, like Woody and Jessie the Cowgirl, or Elmo, or Yogi Bear and Booboo. If we didn't do it, she would scream at us. So, my wife and I would have adult conversations as Yogi Bear and Booboo. It was just a nightmare year.
Woody Allen - nobody has been a better joke teller than him - and even in his great films, it's always coming out of the character. If you don't have that, jokes are just empty and I think that people rely too much on jokes.
Renaissance cowboy/raconteur Pop Wagner ...deadpan funny ...his presence is like meeting Woody Guthrie and Will Rogers riding a single, many colored horse. Pop is a kind of 'textile genius' who is able to spin, at once, both yarn and rope.
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