I am a storyteller and a researcher, and I'm sorry the world has a hard time straddling the tension of those two things, but that's who I am.
My greatest obstacle has to be accepting that the business that I chose to be part of is based on rejection and constantly trying to prove yourself. Letting go of seeing my accent and the way I speak as a limitation. Accepting it as who I am and where I came from.
It feels like it is a daily work and an ongoing task to undo all of the f - - g programming that I have had all my life about who I am supposed to be and how I'm supposed to look and that I'm supposed to win. It's a daily deconstruction of all that bullshit.
It's why we oppose Citizens United from that right-wing Supreme Court. In 2012, I also said the Tea Party "acted like terrorists" and called a donut shop manager in Milwaukee who wanted lower taxes a "smartass." And I said the number one issue is a three-letter word, J-O-B-S." I'm proud of who I am.
The reason I make art is because I get to make a choice about who I am, what I do, and what I put out into the world, the footsteps I leave behind.
I'm still the girl that might get up to dance on the table. It's just who I am, and I'm going to be me and that's it.
I wanna go to the clubs and actually have a good time too, but at the same time, when the party's over, I have to go back to the real world and try to figure out who I am.
As I am from Hawaiʻi, the ocean is part of my culture and who I am. My ancestors were great ocean explorers.
I have to show who I am, play with the crowd, play with the camera. When people come to a race, part of it is the anticipation, "What is he going to do?"
Acting is not just something I love but a part of who I am.
Without my parents and their love and support in my life, I would not be who I am or where I am today.
Brunette is who I am obviously, it's my core. Blonde Kim is this alter ego; she has a vibe to her that I love.
It's just hard to say, "Well, I do this, which means this." If I'm telling you exactly who I am, then there's nothing for the audience to say.
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
I went through a very hairy period. I had a movie where I was going to play Walt Whitman that fell through. At the time, I had grown this huge beard and very long hair. But then, the movie got canceled, I had some other parts, and I currently have very short hair. So, when I look in the mirror, I don't know who I am exactly. It's interesting.
I'm in a unique situation. I'm 5-foot-6, 175 pounds, so I wouldn't say people are super afraid of me. I live a normal life. I don't walk into a room and everybody looks at me and says, "He plays for the Cleveland Browns" or "He's an NFL superstar" - that doesn't happen. I go under the radar. Most people don't realize who I am until I tell them. So it's not like my life has changed since I've been in the NFL or people treat me any different.
Absolutely, I think coming out has allowed me to align who I am with with my creative self.
I started getting fan notes from people saying, "Oh, keep up the mess-ups," and I'm thinking, "I'm not doing it deliberately. This is just who I am." But people thought it was funny. I guess if you're watching and you see that I could do it, maybe it gives hope that anybody can do it.
[Touring] is not necessarily a priority. It's just a part of who I am as a performer. That's obviously why I'm doing it; why I'm in this business is part of me has to perform.
Without changing my style and who I am, they [Trent Willmon and Dan Couch and Dale Oliver ] know how to draw those things out of me. It was a really cool experience on this record, because I tried really hard on the writing to make sure that I wasn't just writing it just like I wanted to.
My faith is central to who I am as a human being, not just as an actor - so it informs every decision I make, whether it's deciding on a project or deciding on how to treat the guy who cuts me off in traffic.
If you don't know who you are, a university is an expensive place to find out.
When I got into film school, it really formed a sense of who I am and my sense of feeling like an outsider. If there was some greater purpose to do this, it would be so that future generations - my kids or my sister's kids - would grow up seeing themselves in their media culture in a way that I didn't. If The Mindy Project or Master of None were on when I was growing up, I wonder if I would be interested in doing this at all
Being able to interact with [studio president] Kevin Feige and have him know who I am and know me as a person, and be able to then sit down and have a conversation about story with someone who's familiar and comfortable is invaluable.
I think I'm a pretty right down the middle guy. I just think that's kind of who I am. I'm not afraid of my own journey.
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