Viewers can't expect TV to keep developing unless they make their wants known. And let's face it. The best way to make your wants known in this world is by 'beefing'.
Networks decide who will have a chance to do shows, but it is the viewers who make the final decision of who stays and who goes. I am very fortunate, in that the television viewers of our country have decided that Bob Barker can stay.
Sweet Genius'' viewers will be on the edge of their seats as we continue to push the limits with inspirations and ingredients, while showcasing the talents of some of the best pastry chefs around. As a result, the desserts that the chefs create are truly outrageous.
Particularly with live TV, I have a really good time reacting in the moment to things that are going on around me. I try to think of the viewers' perspective too.
I've always wanted to be a songwriter and a storyteller and somebody who conveys a feeling to the listener or the viewer.
Most people I run into say, I haven't missed an episode. Either you like Survivor or you don't, but if you do, you're a loyal viewer.
If you ask people to remember a painting and a photograph, their description of the photograph is far more accurate than that of the painting. Strangely enough, there is a physical element intertwined with the painting. It shakes loose an emotional element within the viewer.
I think that the most important thing to me is fans. Without the viewers, without the fans, we have nothing. So I think the fans are awfully important.
My botanical documents should contribute to restoring the link with nature. They should reawaken a sense of nature, point to its teeming richness of form, and prompt the viewer to observe for himself the surrounding plant world.
The key thing was to learn the value of economy with words and to never insult the viewer by telling them what they can already see.
In England "The Day After," though unpopular with viewers, seems to have confirmed the average Englishman's mindless prejudice against Kansas. Shortly after the film portrayed that state being turned into an overused barbecue pit by nuclear weapons, support for British nuclear weapons rose a full percentage point.
With each project, I'm going for something that makes viewers think, 'Wow, I've never seen a film like this before,' and later think, 'Wow, I've only seen a film like this once before. I saw it in theaters and am watching it now on Netflix or a similar streaming service.'
Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me.
Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
Most conservative and progressive talk radio is primarily just that - bloviated opinion and whacky viewer calls.
I try not to repeat a story. I try not to repeat an emotion. I want it to be all sort of new for the viewers and to challenge myself as a writer, so there's always pressure. What else can you come up with?
Self-painting is a further development of painting. The pictorial surface has lost its function as sole expressive support. It was led back to its origins, the wall, the object, the living being, the human body. By incorporating my body as expressive support, occurrences arise as a result, the course of which the camera records and the viewer can experience
Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience.
The speeding toy cars produce in the viewer the stress of living in a dynamic, active and bustling 21st-century city.
A disturbing possibility exists that the television experience has not merely blurred the distinctions between the real and the unreal for steady viewers, but that by doing so it has dulled their sensitivities to real events. For when the reality of a situation is diminished, people are able to react to it less emotionally, more as spectators.
If the ad is bad people get turned off. That's 125 million potential viewers, so you just killed reach. But there's also a big potential payoff. I think it does pay off because you get a lot of traffic, a lot of free public relations(in media stories). It helps position themselves for the next round of financing.
That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.
Put a symbol, or language of some sort, in a painting and it will be noticed by the viewer whether or not they can read that particular language.
Every viewer who ever turned on Doctor Who has taken him into his heart. He belongs to all of us.
Part of the experience of enjoying a tennis match on TV is listening to the observations of an expert commentator -- one who knows the sport, has a genuine passion for the game, respects the viewers' intelligence, knows when to talk and when to keep quiet, can make you laugh and is not afraid to call a spade a spade.
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