On the contrary, my desire is that the viewer sees the background coming forward in the lower portion of the canvas, fighting for space, demanding presence.
Each day is a surprise - and each day I learn something wonderful and new. Both in writing thrillers and in reporting the news, I work to change the world a little bit. I want readers - and viewers - to be surprised and captivated and even inspired.
I don't have to have a single point of emphasis in the picture. It can be complex, because it's so detailed that the viewer can take time and read it, and look at something here, and look at something there, and they can pay attention to a lot more.
We live in an age now where so many people watch movies based on what Netflix recommends. It learns your taste and they really understand viewer habits.
Seurat and Signac mixed paintings with the dry and abstract laws of science. This approach, in my opinion, usually strays from the purpose of art in general. Because it means that one cannot expect from an artifact, that is created with mathematical laws, to establish an improbable and irrational relationship between the work and the viewer.
Regardless of how often the appetite for entertainment violence becomes addictive, increased exposure does risk further desensitizing viewers. And the element of pleasure that they derive may lead them to regard violence as a more acceptable way of dealing with problems, and victimization as more tolerable so long as it befalls others, not themselves.
One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer.
I don't get a sense that Cheers is revered the way it should be by [younger viewers]. In my mind, it's a show that should always, always, always be in the pantheon. But can it ever mean to future generations what it meant to us?
Even if I get into television and movies, I'm never going to quit YouTube because of the bond I have with my viewers.
Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.
Images are altered in many ways, to many degrees, and for many reasons, so it's important for viewers to be informed of both.
When a sudden ray of sun or a moonbeam falls on a dreary street, it makes no difference what it illumines-a broken bottle on the ground, a fading flower in a field, or the flaxen blonde hair of a child's head. The object is transformed and the viewer is transfixed. Celebrate that moment of beauty and take it with you in your memory. It is God's gift to you.
We're on a collision course for disaster. All we can do, all your viewers can do is brace for impactBuy gold. Buy silver Get as far away as you can from U.S. currency and the U.S. economy.
I did 30 Minute Meals for five years on local television, and I earned nothing the first two years. Then I earned $50 a segment. I spent more than that on gas and groceries, but I really enjoyed making the show and I loved going to a viewer's house each week. I knew I enjoyed it, so I stuck with it even though it cost me.
A piece of art - this goes for a painting or a sculpture or a book or whatever - really shouldn't have to do with the set of expectations that the viewer or the audience or the reader brings to that work. It should just have to do with how they interpret it and whether they like it or not.
What exactly is 'viewer discretion'? If viewers had discretion, most television shows would not be on the air.
I have been using the art of photography to research the ways in which the pictorial strategies of the Nineteenth Century color the way in which the American landscape is apprehended by today's viewers.
Being an actress in China, Im actually a very lucky actress... Especially now that Chinese movies are becoming more diverse with more viewers overseas.
Its tricky to do a serialized show and not lose viewers along the way because you really have to watch every episode.
I am like the perfect horror movie viewer because I do not get scared very easily.
I can definitely tell you what viewers can expect from Season 2 [of 'Zoo']. It picks up right where Season 1 left off - the gang facing this wall of animals charging at a car. And so, it'll be satisfying in that way. The cliffhanger in Season 1 just kind of went to black screen. It picks up right where that left off. And from there on, the stakes just continue to rise in the season, and I think it's really adrenaline-filled.
Unbreakable Productions (my company) provides fun, uplifting and inspirational content (and products soon!) on a regular basis to help viewers discover their inner strength, utilize the power of inner-inertia, and remain Unbreakable through life's challenges.
As a viewer I came of age during a time when cast members were prone to fistfights. So I may be carrying a little of that kind of image in my head.
I think when your image becomes so big that it's hard for a viewer to see a character, then I think you're in danger as an actor of being unable to perform what you should be doing.
If I were making paintings of a bowl of fruit it would still be viewed through some sort of political lens, because the viewer wants to create a type of narrative around the political theme when they look at work depicting black and brown models.
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