Whether through TV, film, online, app, or web, we will find ways to tell our stories with authenticity, and engage with our viewers beyond traditional means.
The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.
Participants in dance, both dancers and viewers, may experience catharsis and develop a sense of mastery or self-discovery.
I just want the viewer to have a very informative and entertaining listen. I want them to feel like they've pulled up a chair right next to us. I hope to bring to the telecast what I call 'buddy information' - where you hear something and maybe the next day you say to your buddy, 'Hey, I heard something about this player or this team,' and they pass it on by word of mouth.
A beard is something that is almost like a mirror to the viewer. When someone sees you wearing a beard, they're seeing something in their own imagination because it's still me whether I'm bearded or not.
I think change is happening in ways we can't anticipate yet because the whole generation of viewers who are viewing films - film may not be the appropriate word in years to come. I'm excited about the possibility of new types of storytelling; that to me is less daunting. I'm excited by how we'll evolve with those formats thematically, tonally and in narrative.
So people that read the New York Times are not gonna have the slightest idea what really happened here. So not only are the Drive-Bys themselves a little dense and not curious and uninformed, so are all of their viewers and readers.
I love TV as a viewer.
I've all venture a guess as we saw a lot of those executives going in for the viewers, we saw a bunch of Fox News executives going in there. We saw Jeff Zucker president of CNN standing there, just in case you don't know those faces. So there was all of muckety-mucks from all of the media, cable, broadcast, you name it.What is fairness to [Donald] Trump? With President-elect Trump?
Even the coverage over the last two weeks since he did win the election, it's been a combination of a few people wanting to cover [Donald's Trump] next 100 days. You know, what he wants to do in office. He's been very clear about 100 day plan is. Your viewers can go pull it off on our Web site right now as 100 day plan for them to see.
Secretary of state, now they're saying it's between Mitt Romney and Rudy Giuliani, which has a lot of our viewers saying, how could Mitt Romney even be in the running given how loyal Rudy Giuliani was to Mr. Trump. And even if you might like Mitt Romney, he was not loyal and in fact he savaged Trump during the primary.
Donald Trump's a hell of a performer, he's a hell of an entertainer. If you put him on and let him say his crazy stuff, you're going to get a lot of viewers. If you take him off and have some sober discussion about what's going on in Syria, you're going to lose 80 percent of your audience.
If you're not excited about the subject, the viewer won't be either.
I'm used to politicians being angry with me, you know, because I don't work for them. I work for my viewers.
Photographs can be forms of recruitment, ways of bringing the viewer into the military, as it were. In this way, they prepare us for war, even enlist us in war, at the level of the senses, establishing a sensate regime of war.
Fox gets two million viewers a night, and MSNBC gets one. It's four million people, five million people, and 130 million people are going to vote. There are an awful lot of voters, and an awful lot of politically engaged, intelligent people who are not hanging on whatever happens on Bill O'Reilly or Rachel Maddow.
For me, the subtlety of black and white inspires the imagination of the individual viewer to complete the picture in the mind's eye. It doesn't attempt to compete with the outside world. I believe it is calmer and gentler than colour, and persists longer in our visual memory.
I think if the content is good and the content is interesting, the at home viewer will watch it for as long as the story is interesting thus the responsibility for making the story interesting falls on the shoulders of the reporter or the producer. Then I'm disappointed that producers have felt that television can only be told in 59 second story bursts because we've become, it's become journalism based on MTV, video electronic editing and cutting.
To me, it's an assignment, and my job is to tell the story. To me, it's easy, and to me, it's what I'm paid to do and what I've dreamt about doing from day one. Sometimes people don't like the stories, but it is what it is. So to me, I absolutely feel like no matter, if I'm calling a game between my brothers or my parents, the facts are the facts. The story dictates itself to me, and I relay the message to the viewers as well as I possibly can. That's going to be my job whether it's the Warriors or anybody else.
Americans, too many of them, take themselves too seriously. You're going to get rapped - by the viewers, by the sponsors and by the network brass - if you joke about doctors, lawyers, dentists, scientists, bus drivers, I don't care who. You can't make a joke about Catholics, Negroes, Jews, Italians, politicians, dogs or cats. In fact, politicians, dogs and cats are the most sacred institutions in America.
I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
If reality shows are so popular, that means their viewers are screaming for more realness.
I not only hope that YouTube channels compete with television shows for viewers and revenue, I hope they develop a bitter rivalry which could only be settled by an elaborate medieval tournament where the two entities fight to the death in a steel cage.
In episodic TV you have to keep things secret to keep the viewer in suspense.
Soon, the viewer won't even know if he's watching on broadcast or the Internet. He'll just be eating his cereal and see an image on the spoon. That's how we'll be watching soon, on spoons. The commercials will be on the knives.
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