It's the honest point of view of an artist: You have to please.I'd like viewers to come away from my films unsure whether they've understood them. I want to leave them wondering.
Art should startle the viewer into thinking about the meaning of life.
You're going to go to stillness. When that happens, the world collapses. There is no time, no space, no viewer, no viewing, no object in view.
It's always fun when somebody who you admire and respect is the voice - is your voice, as a viewer.
My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.
Viewers all over the world, my prayer partners, whatever situation you are in, be delivered in the mighty name of Jesus Christ! Those who wait upon the LORD shall be delivered!
The difference between a regular camera and a 3D camera, for an actor, is really no different except that the turn-arounds are longer. It takes a lot longer to set up a shot because the cinematographer is really trying to set up a whole world, so it can't be more intricate and more beautiful to the viewers, in 3D.
Technology has changed, and we need to figure out how to improve the archaic way of what makes a hit, or how to determine how many viewers are watching beyond some people with Nielsen boxes in a small percentage of homes in random areas.
Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
Viewers can hate a character and at the same time can't take their eyes off of him.
I'm one of the highest-paid television people in the world. I feel like I've made a difference in my viewers' lives, that I've been influential.
I find as a viewer, when I go to see comedies, the strain to be funny throughout the whole thing. I start to lose my sense of reality, and it ends up feeling like an empty experience; there's funny stuff in it but I've lost the emotional connection to the characters because it's just so bananas.
I guess I'm trying to write stuff that I, as a viewer, would connect to.
In the Classical tradition, deriving from ancient Greece and Rome, beauty was perceived as the means by which the artist captured the viewer's eye in order to engage the viewer with truth and so inspire goodness.
Right now the producers of 'Modern Family' have no idea how many people watch our show each week on all platforms, and nobody seems to want to tell us. If a disproportionate number of any show's viewers watch in alternative ways, then, under the current system, that show may not appear to be as strong as it actually is.
Writing objects to the lie that life is small. Writing is a cell of energy. Writing defines itself. Writing draws its viewer in for longer than an instant. Writing exhibits boldness. Writing restores power to exalt, unnerve, shock, and transform us. Writing does not imitate life, it anticipates life.
Perspective is a law of optics... The Chinese did not have a system like it. Indeed, it is said they rejected the idea of the vanishing point in the eleventh century, because it meant the viewer was not there, indeed, had no movement, therefore was not alive.
I believe all painting and art should be uplifting for the viewer.
We've always known you can gain circulation or viewers by cheapening the product, and now you're finding the bad driving out the good.
Painting has this ability to send the viewer [backward], but it's also this physical object in the room with you. It's always knocking you back into the present moment, which I find very pleasurable.
A viewer as opposed to a filmmaker might see a film differently. But I'm extremely comfortable with my style.
The secret to all drama, film, TV, or books - the thing that people respond to most, and the thing I find myself as a viewer feeling most interested in, is the idea of change.
The objective.. is to achieve a comfort level between the cook/artist/performer and the customer/viewer/diner. And if we can achieve that, and the customers are happy and the cooks are happy, then we have a great experience.
It was hard for me to do the show (All-American Girl) because a lot of people didn't even understand the concept of Asian-American. I was on a morning show and the host said, "Awright, Margaret, we're changing over to an ABC affiliate! So why don't you tell our viewers in your native language that we're making that transition?" So I looked at the camera and said, "Um, they're changing over to an ABC affiliate."
The modern reader (or viewer, or listener: let's include everybody) is perilously overloaded. His attention is, to use the latest lingo,'targeted' by powerful forces? Our consciousness is a staging area, a field of operations for all kinds of enterprises, which make free use of it.
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