In animation and comics, the viewer breezes past the drawings. But with picture books, each page is going to be stared at and touched and read over and over. Maybe even chewed on a little. Everything needs to be thoughtful and economical, thirty-two little masterpieces.
I don't know if you've ever seen this film called Elite Squad, which, actually Wagner [Moura] is the one narrating that. José Padilha, one of creators of our show, that's where the style comes from. It has a heavy narrator. But I thought about it a lot. You [the viewers] have to work for the show, unless you're bilingual. It's a really aggressive type of filming, it's engaging, you've got to read.
My goal is to make the viewer a little bit smarter.
I always say that photography's closest cousin is poetry because of the way it sparks your imagination and leaves gaps for the viewer to fill in.
I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers. . . . Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time.
I believe our editorial decisions reflected our constant desire to make sure that we fully cover and analyze any issue and give our viewers all the information they need.
Well, first of all, let me say that - let me remind your viewers that I am recused from this investigation, and what I said this weekend is not anything new.
And what is the Republican solution to these outrageous [racial] inequalities? There isn't one. And that's the point. Denying racism is the new racism. To not acknowledge those statistics, to think of that as a 'black problem' and not an American problem. To believe, as a majority of FOX viewers do, that reverse-racism is a bigger problem than racism, that's racist.
I want viewers to relate to me on a different level, not just a sexual level.
The written tone and the spoken tone change and the reporters' disbelief in the veracity of the government spreads to the readers and the viewers.
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