You're gonna need a bigger boat.
May the Force be with you.
Carpe diem. (Seize the day.)
Frankly, my dear, I don't give a damn.
You can't handle the truth!
After all, tomorrow is another day.
Mrs. Robinson, you're trying to seduce me... aren't you?
Gentlemen, you can't fight in here! This is the War Room.
I am big. It's the pictures that got small.
Vasectomy means never having to say you're sorry.
Avant-garde means never having to say you're sorry.
I'll make him an offer he can't refuse.
I'm going to make him an offer he can't refuse.
My momma always said, "Life was like a box of chocolates. You never know what you're gonna get."
Being an American means never having to say you're sorry.
For the taxable investor, indexing means never having to say you're sorry.
Keep your friends close, but your enemies closer.
A boy's best friend is his mother.
I will only do a Hollywood film when there is something special offered to me.
I don't get that many scripts. Back in Australia, I've pretty much done my own shows and really no work outside of that. It's only now that I'm starting to read some Hollywood film scripts, and I've read some really great ones.
To say "I accept" in an age like our own is to say that you accept concentration-camps, rubber truncheons, Hitler, Stalin, bombs, aeroplanes, tinned food, machine guns, putsches, purges, slogans, Bedaux belts, gas-masks, submarines, spies, provocateurs, press-censorship, secret prisons, aspirins, Hollywood films and political murder.
Even though I've done Hollywood films, I still don't think of myself as a Hollywood actress.
You have more and more people coming into the tent with the creative guys [on Hollywood films]. You have marketing and concept testers, advertising people. What you find gets the high numbers is easily appealing subjects: a baby, a big broad joke, a high concept. Everything is tested. The effect is to lessen the gamble, but in fact you destroy a writer's confidence and creativity once so many people are invited into the tent.
In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts. A lot of Hollywood films tend to be bloated, bombastic, loud. At the same time, I do like the infrastructure of making a blockbuster; it's like having a big train set.
I'm not saying that it's wrong to make huge Hollywood films but it's just a different kind of feeling, a different sort of pleasure.
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