Good things come to those who initiate.
To be married to a wife who can set type is happiness indeed.
The whole point with type is for you not to be aware it is there. If you remember the shape of a spoon with which you just ate some soup, then the spoon had a poor shape.
When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. [] Thus I also grasped that the empty spaces are the most important aspect of a typeface.
There are now about as many different varieties of letters as there are different kinds of fools.
Doing something a long time does not mean you're good. It only means you've done it a long time.
Plenty of white space and generous line spacing,and don't make the type size too miserly. Then you will be assured of a product fit for a king.
Discipline in typography is a prime virtue. Individuality must be secured by means that are rational. Distinction needs to be won by simplicity and restraint. It is equally true that these qualities need to be infused wiht a certain spirit and vitality, or they degenerate into dullness and mediocrity.
Good things come to those who hustle
Typography exists to honor content.
By all means break the rules.
Typomania is curable but not fatal. Unfortunately.
The most popular typefaces are the easiest to read; their popularity has made them disappear from conscious cognition. It becomes impossible to tell if they are easy to read because they are commonly used, or if they are commonly used because they are easy to read.
It is freely admitted that this "testing" is far from ideal and could even be described as anecdotal.
All the old fellows stole our best ideas.
The letters don't get their true delight, when done in haste & discomfort, nor merely done with diligence & pain, but first when they are created with love and passion.
If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.
The seventies were my fattest decade. Overall I think the seventies were distinctly bulbous. People looked chunky, typefaces were rounded, writing implements penile.
Berthold is still a good typeface, but even Berthold has some less than attractive features, and then I just cut them off because I didn't like them.
Just because something is typed-whether it is typed on a business card or typed in a newspaper or book-this does not mean that it is true.
What's the use of being legible, when nothing inspires you to take notice of it?
Descriptive anatomy is to physiology what geography is to history, and just as it is not enough to know the typography of a country to understand its history, so also it is not enough to know the anatomy of organs to understand their functions.
Typography is what language looks like.
As the saying goes, type is a beautiful group of letters, not a group of beautiful letters.
Simplicity, wit, and good typography.
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