When I started on 'Saturday Night Live,' I had the choice of wearing contact lenses, which I had never worn before, or glasses, in order to be able to read the cue cards.
Trying to be a leader in a sort of very atypical workplace like 'Saturday Night Live' forces you to realize that no one wants you to be their leader. If you can help them get their thing on TV or whatever, they want that. But no adult is looking for a role model.
I think if you ask any of us here, we all dreamed of ending up on Saturday Night Live. I remember thinking, 'I'll just keep doing this as long as I can get away with it.'
I'd love to become like Bill Murray, who was so funny on 'Saturday Night Live' and has gone on to do some of the landmark comedies people like. And then to add this whole other phase to his career with 'Lost in Translation' and 'Rushmore.' I always felt to be able to have something similar to that would be great.
I left 'Saturday Night Live' without a film to go to, and I'd filmed 'Old School' while I was in my last season of the show, and that hadn't come out yet. I was a free agent, in a way, but I knew it was time to leave the show and test the water.
I used to sneak up to the 8th floor and watch Eddie Murphy and Joe Piscopo rehearsing 'Saturday Night Live' and could only wonder if I would ever have the chance to be funny. It took me five years to go up the two stories, but it is such a sense of fulfillment to be able to show what I can do on national television.
I was into the Mets because my Dad worked at IBM where he got free Mets tickets, so I was into the Mets... then I got to 'Saturday Night Live' where my boss has unbelievable N.Y. Yankees tickets, so he invites us to the games. I'm going to all the games, so I might as well root for the team I'm gonna go sit with.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
I was in high school when Will Ferrell was first on 'Saturday Night Live', and I remember thinking, 'Man, that guy is the funniest guy ever.'
Football games are on TV, and it doesn't affect stadium attendance at all. It's the same with movies. People who really love movies and like to go out on a Saturday night will go to the movie theater.
Before I had children, I was - everything about my life was devoted to "Saturday Night Live."
Saturday Night Live is a show that I think I could have a lot of fun on, just being different characters and maybe singing, too.
By the time I would have graduated, at 22, I was a writer and featured performer on Saturday Night Live.
I think 'Saturday Night Live', starting in the 1970s, really gave women an outlet to be funny. A lot of those women went on to have film careers, from Kristen Wiig now to Tina Fey and Gilda Radner.
Living in LA is like not having a date on Saturday night.
I think both of those: the subject matter, pop culture... the talent, I don't think... there's no Jim Belushi in Saturday Night Live, for me. And probably, you know, possibly the material. They've done everything over the years.
I want to thank my amateur trainer. We started at the bottom together. Just because you were born at the bottom doesn't mean you have to stay at the bottom. After Saturday night, we're going to put that bologna away and go get a steak.
I have read countless comics books while listening to hip hop, and as a young one, I wasted countless hours practicing nunchuks to Schoolly D's "Saturday Night." I would give anything for a video of that.
I tend to think that there is a sophistication to everything at 'Saturday Night Live,' including the sketches.
It's always nerve-wracking when you're hosting "Saturday Night Live." You either sink or swim.
When a show has been on for so long, you lose fans, you gain fans. I remember this from 'Saturday Night Live.'
Malcolm: A karate master does not kill people with his bare hands. He does not lose his temper and kill his wife. The person who kills is the person who has no discipline, no restraint, and who has purchased his power in the form of a Saturday night special. And that is why you think that to build a place like this is simple. Hammond: It was simple. Malcolm: Then why did it go wrong?
If I have a rare Saturday night when I can go out to see a movie, I look at the paper and I go, 'Hmm, what's the best medicine for my mind?' I'm going, 'What's the most escapist, fun entertainment I can go to?' So I think that's number one, first and foremost, because that's why I think people go to movies. It's a bonus that there's something real.
Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life.
I went to see Chris Rock on Saturday night here in Atlanta, and he made a statement in his comedy. He said, look, when you're the big person, when you're the rich person, poor people can say stuff about you, but it's downright wrong and brutal for rich people to beat up on poor people. He said people who are larger can lampoon people who are skinnier, but not the opposite.
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