[ Hosting Saturday Night Live ] paved the way for Parks And Rec and The Grinder, the Comedy Central Roast, and that whole side of my career.
I had a great time working on 'Saturday Night Live.' It was one of the important times in my life.
I measure success in terms of the connection with the audience, which we've been able to do in spades. I mean, it's very hard to do that. You think about it, you go back in time, you can say, "Well, there's, like, 'Saturday Night Live' and 'Rolling Stone' or MTV." I think 'Vice' is in that category now.
I'd love to go out on a Saturday night with my friends and watch a movie, but that happens really like once a year or a couple of times.
The one thing I could do was voices and impersonations and weird characters, and there was really no call for that, except on Saturday Night Live.
I would say what makes me vulnerable is when I allow my mind to spiral. You know? When I start not being in the present moment and I start skipping ahead and picturing my daughter driving on the freeway on a late saturday night.
I didn't respond to the kind of sarcastic tone. It felt like some of the Sarah Palin speech was written as though it were a Saturday Night Live newscast. Maybe that's because she looks very similar . . . She's got her Tina Fey thing going.
If we have nothing to do but service our own pleasure - because society has taught us that's all we're worth and we're exiled from positions of authority from which we could actually shape society - then we just become hedonists. Eventually, despite how great it may look on Saturday night, come Monday morning there's just purposelessness.
I actually love 'Saturday Night Live,' like a sports fan watches their favorite team to see how they're doing. I know the players and the writers, I've known several people on that show for a number of years.
In 1977, hip-hop literally wasn't outside the boroughs. But I was profoundly aware of the city through films like Saturday Night Fever, The French Connection, and Network. I had a friend who visited New York, and I asked him what it was like. He said, "Oh, it's great. Just wear a coat and don't look anyone in the eye."
People are out of their home on a Saturday night or they're at the movies or they're at dinner and a lot of the people who flip on the television are doing just that. They may have never seen your show before and you can't count on to your audience to be there week in and week out.
I was just trying to blend the standup that I do almost with like the visual sketch stuff that I did on "Saturday Night Live." And so in terms of how elastic in the world is, we'll see what we can get away with [in John Mulaney show].
Then Saturday Night Live spawns... well, everything right down to American Pie 9, where all humor has to be irrelevant, which can get a little tiring.
From National Lampoon, you go directly to Saturday Night Live, because it's a lot of the same people.
We worked six days a week [on the The Breakfast Club], so you have one day off. So on that Saturday night, it's not like we could all go out and have a drink because Molly [Ringwald ] and Michael [Hall] weren't old enough. And Ally [Sheedy] pretty much kept to herself. So Emilio and I, every Saturday night, would go into Chicago because we were shooting outside of Chicago in Des Plaines. It's so funny, because even though we might be adversaries in the film, we certainly weren't off-camera. He's a very funny guy.
I completely understand why a businessman would fire me from 'Saturday Night Live'. Because he was seeing Jay Leno kill 10 minutes a night, doing his monologue with wall-to-wall laughs and applause, then I do 10 minutes a week to, sometimes, breathtaking silence. He's just listening for the laughs.
The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.
I did everything when I started. In Miami I did news, I did weather, I did sports, I did disk-jockeying. And I did a sports talk show every week - every Saturday night.
I'm more of a comedian. I wouldn't mind being on SNL (Saturday Night Live). I think that would be cool.
Those who marry God can become domesticated too - it's just as hum-drum a marriage as all the others. The word Love means a formal touch of the lips as in the ceremony of the Mass, and Ave Maria like dearest is a phrase to open a letter. This marriage like the world's marriages was held together by habits and tastes shared in common between God and themselves - it was God's taste to be worshipped and their taste to worship, but only at stated hours like a suburban embrace on a Saturday night.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
Saturday Night Live was a show that I never thought I would be on, because I didn't do sketch comedy and I didn't do impressions. I was a stand-up.
I enjoyed living in New York City, I liked the premise of the show [Saturday Night Live], I liked working with a different host every week and different musicians. I always thought, "This is great. I never expected to get this in the first place, so I'm just happy being here."
I remember Steve Kaufman as the artist on Saturday Night Live doing the Pop Art portraits for the show.
My career has been in a weird kind of like low-flying under the radar-kind of place. I never made it on "Saturday Night Live" where all my friends did.
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