I have spoken, and I was understood. It's not like I'm a tragic person who wasn't understood. All those books are in print, all those movies are still out there, the audience gets younger. So I don't have that "I've got to do one thing before I die." I did it.
I realized that even in a world of proliferating media venues, online and in print, and on TV and on countless cable channels, the idea that I could be considered an expert on chronic knee pain was I think troubling for society, but very exciting for me.
An editor is someone who separates the wheat from the chaff and then prints the chaff.
And friends of mine that had photography class in high school would develop the film and make prints and I'd take them back to the track and give 'em away or try and sell them. Much to my parents' dismay, I majored in photography in college.
I know many older writers who were very successful and whose books are now out of print, so you have to go to antiquarian booksellers to buy their fifth or eighth novel or whatever it is.
Summer set lip to earth's bosom bare, And left the flushed print in a poppy there: Like a yawn of fire from the grass it came, And the fanning wind puffed it to flapping flame. With burnt mouth red like a lion's it drank The blood of the sun as he slaughtered sank, And dipped its cup in the purpurate shine When the eastern conduits ran with wine.
Quantitative easing prints money & causes inflation.
Good web text has a lot in common with good print text. It's plain, concise, concrete and 'transparent': even on a personal site the text shouldn't draw attention to itself, only to its subject.
The much-vaunted sex appeal of American women is drawn from films, reviews and pin-ups, and is in large print fictitious. A recent medical survey in the United States showed that 75% of young American women are without strong sexual feeling and instead of satisfying their libido they seek pleasure narcissistically in exhibitionism, vanity, and the cult of fitness and health in a sterile sense.
I hate to see great writers like Ringel and Ansen and Jan Stuart (among many others) being put out to pastures because print media is suffering.
I spent my career trying to speak to the broadest possible audience whether it's in print or whether it's in television.
I encourage people to play around, mix proportions, textures, seasons and prints, and to find what makes them feel their most comfortable and expressive.
Walt Whitman's "Leaves of Grass" is still in print. They're debating right now over Mark Twain. He's still available. Winslow Homer can still be seen. Our arts are - they're there. We got to go get them and understand that this is an important legacy for our country.
My wife [Tina Brown] co-founded the Daily Beast, so I have no hostility to the web or Internet. A number of print friends of mine regard it as the worst thing that's ever happened, but I don't.
Such is professional jealousy; a scientist will never show any kindness for a theory which he did not start himself. There is no feeling of brotherhood among these people. Indeed, they always resent it when I call them brother. To show how far their ungenerosity can carry them, I will state that I offered to let Prof. H--y publish my great theory as his own discovery; I even begged him to do it; I even proposed to print it myself as his theory. Instead of thanking me, he said that if I tried to fasten that theory on him he would sue me for slander.
Twiddle-twiddle away at my softly clicky keyboard for a while, making twiddly adjustments all along- and then print what I have twiddled. Glare at the printout and snarl and curse and scribble almost illegibly all over it with a ballpoint pen. Go back to the machine and enter the scribbles. Repeat this procedure until I hate the very meaning of every word I know.
However, a rich print environment helps only when more reading is done.
The founding American generations did something that almost no others have ever done. They read the fine print! They taught their children to read bills, laws, court cases, legislative debates, executive decrees, and bureaucratic policies. They read them in schoolrooms and at home....They said they would consider their children uneducated if they didn't read such things.
I don't know why, but I always feel a kind of necessity to write things that are beyond acceptance, that are too offensive or something. For people to read them and say, Ha-ha-ha, very funny. No, we can't print that.
What the good Lord lets happen, I am not ashamed to print in my paper.
These days it seems like any idiot with a laptop computer can churn out a business book and make a few bucks. That's certainly what I'm hoping. It would be a real letdown if the trend changed before this masterpiece goes to print.
Avoid the unhappy ending, the harsh, the brutal, the tragic, the horrible -- if you care to see in print things you write. (In this connection don't do as I do, but do as I say.
A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.
I don't think that has ever changed. I don't think I see any more or any less than I did years ago. Let's say I have the print of a photo taken in the 1960s and one I took a month ago. I think it's pretty difficult to tell any difference, personally.
Journalism has not only its social stimulations but its aesthetic virtues. An invitation into print, from however suspect a source, is an opportunity to make something beautiful, to discover within oneself a treasure that would otherwise have remained buried.
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