There are three rules for writing a novel. Unfortunately, no one knows what they are.
A novel is never anything, but a philosophy put into images.
I wrote four novels, but then I realized that the world didn't need me to be a novelist, but the world could use me as a nonfiction writer.
Only when you have completed a novel, or a story, can you return to the beginning and revise or rewrite.
The idea for a novel is like a little tiny fire in a dark night. And, one by one, the characters come and stand around it and warm their hands.
Experimental novels are sometimes terribly clever and very seldom read. But the story that appeals to the child sitting on your knee is the one that satisfies the curiosity we all have about what happened then, and then, and then. This is the final restriction put on the technique of telling a story. A basic thing called story is built into the human condition. It's what we are; it's something to which we react.
One thing should be put firmly. Where people have commented on that novel [The Paper Men], they generally criticize the poor academic, Rick L. Tucker, who is savaged by the author, Wilfred Barclay. I don't think people have noticed that I have been far ruder about Barclay than I have been about Tucker. Tucker is a fool, but Barclay is a swine. The author really gets his come-uppance.
When I write a novel I start each morning by reading for 20 minutes.
When you read a novel, you know what to expect because you've been reading novels for a long time.
For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life.
A fact is a simple statement that everyone believes. It is innocent, unless found guilty. A hypothesis is a novel suggestion that no one wants to believe. It is guilty, until found effective.
Writing a novel proved to be the hardest, most self-analyzing task I had ever attempted, far worse than an autobiography: and its rewards were greater than I expected.
William Goldman's Marathon Man was a novel that taught me about suspense. I was maybe 16 years old when I read it and I remember thinking, "You could put a gun to my head and I wouldn't put this book down." I loved that feeling - and want to give it others.
I read a lot of graphic novels - some of my favorites graphic novelists or artists are Rebecca Kraatz, Gabrielle Bell, Graham Roumieu, Tom Gauld, and Renee French.
I've never taken any classes or had formal training in writing novels. At its most basic, I learned how to structure a novel.
I'm a failed poet. Maybe every novelist wants to write poetry first, finds he can't, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.
The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views.
If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.
When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel.
Life is God's novel. Let him write it.
The writing of a novel is taking life as it already exists, not to report it but to make an object, toward the end that the finished work might contain this life inside it and offer it to the reader. The essence will not be, of course, the same thing as the raw material; it is not even of the same family of things. The novel is something that never was before and will not be again.
Of all the words of mice and men, the saddest are, "It might have been.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: