The best of Donald Westlake's pseudonymous thrillers about Parker, the toughest burglar who ever lived. . . .Out of print for years and years, Butcher's Moon is the ultimate Parker novel, best read as an installment in the series as a whole but comprehensible and wholly satisfying on its own.
Foreign newspapers: if they've got nothing to hide, how come they don't print them in English?
I asked my publisher what would happen if he sold all the copies of my book he'd printed. He said 'I'll just print another ten'.
A neighborhood friend showed me how it was possible to go to a camera shop and pick up chemicals for pennies... literally... and develop your own film and make prints.
In the printed page the only real things are the paper and the ink; the white spaces play the same part in aiding the eye to take in the meaning of the print as do the black letters.
But, in truth, the existing premises, wholly altered by geologic science, are no longer those of Hume. The footprint on the sand — to refer to his happy illustration — does not now stand alone. Instead of one, we see many footprints, each in turn in advance of the print behind it, and on a higher level.
The deep-read is when you get gut-hooked and dragged overboard down and down through the maze of print and find, to your amazement, you can breathe down there after all and there’s a whole other world. I’m talking about the kind of reading when you realize that books are indeed interactive. . . . I’m talking about the kind of deep-read where it isn’t just the plot or the characters that matter, but the words and the way they fit together and the meandering evanescent thoughts you think between the lines: the kind of reading where you are fleetingly aware of your own mind at work.
I've found that there are only two kinds that are any good: slang that has established itself in the language, and slang that you make up yourself. Everything else is apt to be passe before it gets into print.
I love to hear my Lord spoken of, and wherever I have seen the print of His shoe in the earth, there have I coveted to put mine also.
A translator is essentially a reader and we all read differently, except that a translator's reading remains in unchanging print
Were I to write what I know, the book would be too sensational to print, but were I to write what I think proper, it would be too dull to read.
Mother used to say escape is never further than the nearest book. Well, Mumsy, no, not really. Your beloved large-print sagas of rags, riches, and heartbreak were no camouflage against the miseries trained on you by the tennis ball launcher of life, were they? But, yes, Mum, there again, you have a point. Books don’t offer real escape, but they can stop a mind scratching itself raw.
When we were all getting ready to leave, I walked up to my grandfather and gave him a hug and kiss on the cheek. He wiped my lip print off with his palm and gave me a look. He doesn't like the boys in the family to touch him. But I'm very glad that I did it anyway in case he dies. I never got to do that with my Aunt Helen.
I try in my prints to testify that we live in a beautiful and orderly world, not in a chaos without norms, even though that is how it sometimes appears. My subjects are also often playful: I cannot refrain from demonstrating the nonsensicalness of some of what we take to be irrefutable certainties. It is, for example, a pleasure to deliberately mix together objects of two and three dimensions, surface and spatial relationships, and to make fun of gravity.
A woman once rang me up and said, 'Mr. Escher, I am absolutely crazy about your work. In your print -Reptiles- you have given such a striking illustration of reincarnation.' I replied, 'Madam, if that's the way you see it, so be it.'
Visually Agincourt is a pre-Raphaelite, perhaps better a Medici Gallery print battle - a composition of strong verticals and horizontals and a conflict of rich dark reds and Lincoln greens against fishscale greys and arctic blues.
In music I still prefer the minor key, and in printing I like the light coming from the dark. I like pictures that surmount the darkness, and many of my photographs are that way. It is the way I see photographically. For practical reasons, I think it looks better in print too.
Negatives are the notebooks, the jottings, the false starts, the whims, the poor drafts, and the good draft but never the completed version of the work The print and a proper one is the only completed photograph, whether it is specifically shaded for reproduction, or for a museum wall.
Being goal-oriented instead of self-oriented is crucial. I know so many people who want to be writers. But let me tell you, they really don't want to be writers. They want to have been writers. They wish they had a book in print. They don't want to go through the work of getting the damn book out. There is a huge difference.
I'd really rather leave it to others to say what they see in it and to see if I've put something into my photographs beyond a mere recording. Yes, I've chosen the camera position, how I'm going to print the negative, the angel of the lens, what I'm going to include and exclude in the composition, so on and so forth. But, I'm still photographing a work of art, and I would rather leave it to others to comment on my work, as I just left it to you.
It isn't a question of enhancement through design. Whether an editor realizes it or not, design is part of what he does every time he prints the paper.
When Satan attacks you, command him in the Name of Jesus to bend his neck. On the back of it you'll find there's a nail scarred foot print!
The Bible is the voice of God in print.
Believing absolutely everything that appears in print.
We think it would be wise in you to try to git [sic] influence by offering to print a paper in favor of the government as you know we are all friends to the Constitution yea true friends to that Country for which our fathers bled.
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