I wish to state emphatically that I do not believe in any sort of handwork or manipulation on a photographic negative or print.
There’s only one difference between published and unpublished writers, and it is this -- the first group see their work in print on the shelves of Waterstone’s or Tesco or online at Amazon; the second group are yet to have physical evidence of the hours, weeks, years spent fashioning words into their patterns. You are already a writer.
My dream scenario would be that you could go into a bookshop, examine copies of every book in print that they're able to offer, then for a fee have them produce in a minute or two a beautiful finished copy in a dust jacket that you would pay for and take home.
I love prints of skulls and bones and have some taxidermy - a crow and a rabbit - to remind me of home. I like art and have a big portrait of Bjork.
There is the potential for much more spontaneity with prints than there is with the sculpture, which tends to be very slow, accretive kind of process-labor intensive.
Education is what you get from reading the small print; experience is what you get from not reading it.
When good is near you, when you have life in yourself, it is not by any known or accustomed way; you shall not discern the foot-prints of any other; you shall not see the face of man; you shall not hear any name; the way, the thought, the good, shall be wholly strange and new. It shall exclude example and experience.
In spite of the roaring of the young lions at the Union, and the screaming of the rabbits in the home of the vivisect, in spite of Keble College, and the tramways, and the sporting prints, Oxford still remains the most beautiful thing in England, and nowhere else are life and art so exquisitely blended, so perfectly made one.
I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences.
You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.
People will not be bored. They may listen politely at a dinner table to boasts and personalities, life history, etc. But in print they choose their own companions, their own subjects. They was to be amused or benefitted
Animals come from nature. They were not designed. All my inspiration comes from nature, whether it's an animal or the layout of bark or of a leaf. Sometimes my patterns are very bold, and you can barely see where they come from, but all the textures and all the prints come out of nature.
Today, because photography exercises such a profound influence upon the study of art, we tend to disregard the way in which prints continue to function as information.
When I photograph, I do not think much. If you looked at my contacts you would ask yourself: "What is this guy doing?" But I keep working with my contacts and with my prints, I look at them all the time. I believe that the result of this work stays in me and at the moment of photographing it comes out, without my thinking of it.
In the little hall leading to it was a rack holding various Socialist or radical newspapers, tracts, and pamphlets in very small print and on very bad paper. The subjects treated were technical Marxist theories.
Sarcasm doesn't translate in print at all.
Different levels of photography require different levels of understanding and skill. A "press the button, let George do the rest" photographer needs little or no technical knowledge of photography. A zone system photographer takes more responsibility. He visualizes before he presses the button, and afterwards calibrates for predictable print values.
For God's sake (I never was more serious) don't make me ridiculous any more by terming me gentle-hearted in print.
No generality has any weight whatever. It is like saying "how do you do?" When you have no intention of inquiring about ones health. But specific claims when made in print are taken at their value
I know some say, let us have good laws, and no matter for the men that execute them: but let them consider, that though good laws do well, good men do better: for good laws may want good men, and be abolished or evaded [invaded in Franklin's print] by ill men; but good men will never want good laws, nor suffer ill ones.
Protestant churches everywhere are gravitating toward union with the Roman Catholic Church. These religious movements are speeding the fulfillment of the prophecies of the resurrected Roman Empire. For 30 years I have been proclaiming this tremendous event over the air and in print.
I use printers to make prints of the images that I am creating. And I try to have that surface kind of replicated in the painting.
You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.
When you pay social security taxes, you are in no way making provision for your own retirement. You are paying the pensions of those who are already retired. Once you understand this, you see that whether you will get the benefits you are counting on when you retire depends on whether Congress will levy enough taxes, borrow enough, or print enough money.
My pictures are never pre-visualized or planned. I feel strongly that pictures must come from contact with things at the time and place of taking. At such times, I rely on intuitive, perceptual responses to guide me, using reason only after the final print is made to accept or reject the results of my work.
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