It was the intimacy, a sort of spiritual suppleness, when mind prints upon mind indelibly.
I believe that what Genesis suggests is that this original self, with the print of God's thumb still upon it, is the most essential part of who we are and is buried deep in all of us as a source of wisdom and strength and healing which we can draw upon or, with our terrible freedom, not draw upon as we choose. I think that among other things all real art comes from that deepest self - painting, writing music, dance, all of it that in some way nourishes the spirit.
I used to have a cat, an old fighting tom, who would jump through the open window by my bed in the middle of the night and land on my chest. I'd half-awaken. He'd stick his skull under my nose and purr, stinking of urine and blood. Some nights he kneaded my bare chest with his front paws, powerfully, arching his back, as if sharpening his claws, or pummeling a mother for milk. And some mornings I'd wake in daylight to find my body covered with paw prints in blood; I looked as though I'd been painted with roses.
My mother moves so fast I do not even see it coming. But she slaps my face hard enough to make my head snap backward. She leaves a print that stains me long after it’s faded. Just so you know: shame is five-fingered.
Books. They are lined up on shelves or stacked on a table. There they are wrapped up in there jackets, lines of neat print on nicely bound pages. They look like such orderly, static things. Then you, the reader come along. You open the book jacket, and it can be like opening the gates to an unknown city, or opening the lid of a treasure chest. You read the first word and you're off on a journy of exploration and discovery.
To put it another way, every love relationship is based upon unwritten conventions rashly agreed upon by the lovers during the first weeks of their love. On the one hand, they are living a sort of dream; on the other, without realizing it, they are drawing up the fine print of their contracts like the most hard-nosed of lawyers. O lovers! Be wary during those perilous first days! If you serve the other party breakfast in bed, you will be obliged to continue same in perpetuity or face charges of animosity and treason!
When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
Print some money and give it to us for the rain forests.
It's very hard to come across as a passionate human being in print. People can't hear the inflections in your voice.
A lot of my time is spent reading antique or out-of-print books of reference.
I've been really upset sometimes when I've been misquoted. And it's the one thing they use in big print. Or it's taken out of context. Thoughts are fluid and words are sticky. That's the thing.
The thing that makes me happiest about Simpsons Illustrated are all the drawings that we get from readers. I wish we could print them all. They're really imaginative. They show a lot of hard work.
The wrap dress is the most traditional form of dressing: It's like a robe, it's like a kimono, it's like a toga. It doesn't have buttons or zippers. What made it different was that it was jersey; therefore, it was close to the body and it was a print.
When you print money, the money does not flow evenly into the economic system. It stays essentially in the financial service industry and among people that have access to these funds, mostly well-to-do people. It does not go to the worker.
It's so easy to print in the Midwest. You're saving months in shipping and customs, so we have started printing a number of books there.
Digital platforms are worthless without content. They're shiny sacks with bells and whistles, but without content, they're empty sacks. It is not about pixels versus print. It is not about how you're reading. It is about what you're reading.
I've seen the people who talk about their love lives in print invariably have doomed relationships with the person they're talking about.
I think the goal with any writing, but especially narrative nonfiction, is to put the blockade of putting your thoughts in this unnatural medium of print and then trying to reach through that and actually convey what's going on, what you think, and make people laugh and recognize themselves while doing it. Definitely the laughing thing.
If I told you all the people that have secretly told me I've influenced them, you'd never believe it, and you'll never see it in print, either.
I just get the feeling that if Jesse Helms was in charge of art in America, you'd go into a museum and see nothing but prints of dogs playing cards.
It's tough when take 1 is technically okay and take 2 has better acting. Out here (Hollywood) they print the first one. That's the one where we all hit the mark on the floor and who cares about the acting.
I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.
Newspapers are technologically obsolete. In the days of instant electronic communications, its crazy to have to print these newspapers at a central plant and deliver them by truck. They're the biggest problem with our solid-waste disposal. And the news you get is a day old. You can get it off the Internet instantaneously for a fraction of the cost.
Storytelling is my currency. It's my only worth. The only thing of value I have in this life is my ability to tell a story, whether in print, orating, writing it down or having people acting it out.
I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion.
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