When I was in kindergarten, I had one line in a little play. I said, I am Patrick Potato and this is my cousin, Mrs. Tomato, and I heard laughter. I wanted to be an actress from that moment on.
Real power has fullness and variety. It is not narrow like lightning, but broad like light. The man who truly and worthily excels in any one line of endeavor, might also under a change of circumstances, have excelled in some other line. Power is a thing of solidity and wholeness.
A nation that is afraid to let its people judge the truth and falsehood in an open market is a nation that is afraid of its people.
I kind of found a niche for myself after 'Firefly'. I found something that I enjoyed doing and that I did well, but as far as how I seek out a part, it's always different. It's always something that lights you on fire when you read it. It might be just one scene, it might be one line that defines the character for you.
I see the Beatles have arrived from England. They were 40 pounds overweight - and that was just their hair.
I have about two or three people, we don't have an office, we don't even have a dedicated phone line. We do it out of our own homes, and we make it work.
Please don't stand up on my account.
I think brilliant stuff comes out of working with limitations. One liners are very limiting, but that's what drew me to them in the first place.
I'll generally write out every scene that's in the film on a couple of pieces of paper, just with a little one-line. And then I can scan it a bit and go, 'This first third of the film, generally, I'm kind of calm.' Then I might do something on one piece of paper that just relates to the energy of the character.
The fact that you have a policy of such consequence directly affecting millions of people and you have a legal question of great consequence about the scope of the president's authority to act in implementing the immigration laws in this way and you have a one-line decision from the court affirming by an equally-divided court, it's an inevitable consequence of where we are.
I find myself improvising a lot. But, sometimes I'll come us with a chorus or just one line and it will sort of hang out for a long time before it get's flushed out into a real living song.
It's Richard Kelly's brilliance, because he led me to Donnie Darko performance. He wanted sincerity, he didn't want it to be one color, and he made me go vulnerable, and I think that's why it works. When you can get all those different colors and levels in one line. Time Out New York voted it "Best Line Of The Year" - which is crazy, because how many words is it? "Sometimes. I. Doubt. Your. Commitment. To. Sparkle. Motion." Eight words. It's crazy.
I can't compete with the Michael Bays of the world in regard to special effects and that kind of stuff. But you can compete in the dialogue and the one liners and the original characterisations and I think that's what people are responding to.
I try to take notes of things that happen that I think are important or interesting or just little tidbits here and there that happen in life. And some of it's even just one line or like a saying and I just go off that.
Sometimes, I'll read a news story and there will be one line about something else, and I'll find it interesting and look into it. That can often turn into an entire story on its own.
At an early age my dad - probably because he's a journalist - said: "Just have something to say. Don't just blather. Always have one line in your mind." So, that was always my thing whenever I met someone when I was younger, if ever I got to meet a real celebrity.
[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.
The mind/body connection is like a telephone line - many telephone lines, in fact, teeming with information. Small things like drinking an orange juice with pulp or eating an apple is being received like a telephone call to your genes. Every thought, every thing you eat, every single little thing can tweak your genes activity towards healing.
I had one line. My two larger scenes had gone fine, and then on that day I screwed up that line over and over and over again. And every time I screwed it up, they can't use the whole thing because they're only using the one shot [in Blue Jasmin]. That was my last day.
Todd Glass has amazing energy on stage. Dave Attell is one of my favorites because he's a one liner comic who is always incredibly in the moment with the audience. As for newer people, I think Adrienne Iapalucci writes some great, dark jokes and Sean Patton has a hilarious voice on stage.
I've learned that true friendship continues to grow, even over the longest distance.
Friendship is never forgettable in your whole life. It is always sweet like chocolate but never bitter like Neem.
Life without friendship is like the sky without sun.
A true friend has your best interests at heart and the pluck to tell you what you need to hear.
Friendship is blessed on trust, without it there is nothing.
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