One line of dialogue that rings true reveals character in a way that pages of description can't.
Even in motocross, youre struggling to see people pass each other anymore. There seems to be one line in motocross.
In my mind, I'm doing everything, but in reality, I'm doing very, very little. You come up with one idea, one moment, one line that leads to something and you feel like it's easy. And then, you sit back and think there would be no show without that.
The truth is that man is one individual with two aspects, just like one line with two ends. If you look at the ends, it is two. If you look at the line, it is one. One end of the line is limited, the other end of the line is unlimited. One end is man, the other end is God.
Jesus won't cut you off before you're through With him you won't never get a crossed line, And when your bill comes it'll all be properly itemised He's the telephone repairman on the switchboard of my life. The phone line to the saviour's always free of interference He's in at any hour, day or night And when you call J-E-S-U-S you always call toll-free He's the telephone repairman on the switchboard of my life.
If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
While American football is very structured and linear and static, where everyone lines up and there's a burst and it happens, soccer is like the cosmos. It's like constellations. It's bodies moving in space. It's a very spherical game. You can move in any direction, at any time.
One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
That strange premature genius Chatterton has couched in one line the quintessence of what Voltaire has said in many pages: "Reason, a thorn in Revelation's side.
The two black lines on the armband means that they're the deceased's family. One line means they are either friends or acquaintances. One line of the arm, one line on the heart. The bastards who stood by my side with two lines, they'll be the hardest farewells I'll have to make in my life, and they're the luckiest fortune I've met in my lifetime.
I like letting takes play out, beginning to end. I don't like doing pick-ups of one line or another. I like letting the actors discover the flow of the scene, inside the scene as a whole.
Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.
Nowadays, one of the churches of Tlön maintains platonically that such and such a pain, such and such a greenish-yellow colour, such and such a temperature, such and such a sound, etc., make up the only reality there is. All men, in the climactic instant of coitus, are the same man. All men who repeat one line of Shakespeare are William Shakespeare.
Enough of satire; in less harden'd times Great was her force, and mighty were her rhymes. I've read of men, beyond man's daring brave, Who yet have trembled at the strokes she gave; Whose souls have felt more terrible alarms From her one line, than from a world in arms.
A strong friendship doesn't need daily conversation or being together. As long as the relationship lives in the heart, true friends never part.
Fake friends are around when they think you're cool. True friends are around even when they think you're fool.
True friends will pick you up when you fall. The bad friends will have been the one who made you fall in the first place.
That awkward moment when people act like they know your best friend better than you do.
When I'm recording, which is synonymous with writing, I'll play things over and over again until it sounds like I've got the right guitar part. Whereas I think, as the much younger player I tended to do things much more consciously. I didn't wait for the moment where inspiration might strike. That's what I do now. I wait for it to naturally start to replay itself in my mind. As I say, I don't force it. So I like to think of myself as a receiver. I'm a telephone line to who knows where, but until I hear it through that receiver, I don't usually do it. It's got to start writing itself somehow.
True friendship is sitting together in silence and feeling like it was the best conversation you've ever had.
A good friend helps you up when you fall, a best friend laughs in your face and trips you again.
I've always noticed talking about lyrics is like talking about a duality. It's like a Gemini time every time I talk about one line. Because each line, of course, means different things to different people, millions of interpretations. With me, I always see two sides. I just see things split into two.
As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.
The great thing about new friends is that they bring new energy to your soul.
The only way to have a best friend is to be one.
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