My priorities now a a musician are so different now than they were as a kid. Everyone wants to be a rock star, and I wanted that too; I wanted to be on magazines and be running around the world and having all the fun.
I was always looking at Helmut Newton photos with the Le Smoking suit and Stella Tennant in Self Service magazine. It was never just about an ultrafeminine woman for me.
I learned how to sit on the couch in front of the fire and read a magazine, just for like eight hours a day, every day. It was... crazy.
Bands are more willing to take risks and we don't need this big label over us anymore telling us what it means to sell records and get into magazines.
I had done an interview with 'Hello' magazine. In it, they asked me if I was going to marry Emily Blunt. Of course, what was I going to say? I said, 'Oh yeah I am going to marry her and I love her and all of this stuff.' It's true. I was making a joke. They said to me, 'Have you asked her?' I said, 'Have I? Maybe I am asking her through the magazine.'
I see that I have been engaged to Emily [Blunt] without ever asking her. The big question I had was, do you think I would ask her to marry me through 'Hello' magazine? Would I do something like that? Would she allow that to happen? It is completely ridiculous.
I feel that's important that I have some place to go that isn't on the cover of a magazine. I signed up to make music.
Whatever happened to Trump Airlines? How about Trump University? And then there's Trump Magazine and Trump Vodka and Trump Steaks, and Trump Mortgage? A business genius he [Donald Trump] is not.
When I started publishing, I got offers to write for big magazines. But I would always say, "Well, it's not that I don't want to write for these big magazines, but you can't edit it."
After the second chapter of Days of Obligation, which is about the death of a friend of mine from AIDS, was published in Harper's, I got this rather angry letter from a gay-and-lesbian group that was organizing a protest against the magazine. It was the same old problem: political groups have almost no sense of irony.
I worked at a bunch of other salons, and at one, this girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.
We've had now eight years and there's this prideful sense among many African Americans. When you think about how elated they are when they see the First Lady on magazine covers or when she is out doing her thing. There just this pride our community has had for eight years now. When that goes away, I jokingly said it, but I do think there's going to be a bit of withdrawal.
Throughout high school, I was obsessed with magazines. I used to just comb through them and plaster things on my wall.
I went to work at political consulting firms, graphic design and communications firms and ultimately, magazines. Today, my career is in the media business. And more specifically, I'm in the "words" side of the business as opposed to video or music.
I used to sit when I was a kid, from 14 or 15 on, with a book or a paper or a magazine in front of a mirror and teach myself to speak with a more straight mouth, so it wasn't so pronounced.
Those stories weren't being written at all - stories about women's inner lives and outer activism. We've come miles and miles, but we still don't have an equal rights amendment yet. We don't have equal pay yet. There's a lot of blind misogyny that's not personal, but institutionalized. We still have work to do, but even just looking at those old Ms. Magazines is a cool thing to do - to see how daring they were. They just went right into the belly of the beast.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
Every since high school I've been drawn to magazines.
I was dyslexic as a child and it took me years to get passed that. I read a lot but it was hard and that didn't go away until my early-to-mid-twenties. So really what I was looking at were the photographs and the illustrations in magazines.
We should note it is not illegal for the campaign to pay [Doanld] Trump owned businesses as long as they`re charging fair market rates. And while the optics are pretty stunning, we shouldn`t be surprised. Afterall, this is the guy that told Fortune magazine in 2000 it`s very possible I could be the first presidential candidate to run and make money on it.
They did an article in a major magazine, shortly after the war started. I think in '04. But they did an article which had me totally against the war in Iraq.
To be influenced by a magazine and, say, a Swedish theme, unless it resonates with you, it seems kind of odd and influenced.
I was reading a Time magazine interview with an author named Brené Brown. She said, "People that fail seem to ultimately do the same thing they think works over and over again." I had an epiphany and called my manager and started a creed with my producers. I promised we'd do whatever was best for the song and the album - no ego would get in the way.
I mean, props to Paris Hilton because she's doing it really well and for someone that's such a wealthy heiress she doesn't really have to lift a finger at all. She was the first example of really strong branding and is obviously a very clever businesswoman. I remember recently they printed in a British magazine, they compared her to Kim Kardashian in the sales of perfume and all of this other stuff. She still makes huge revenue from all of her different business endeavors.
I didn't grow up with [Buckminster Fuller]. I never met him. I was once close to meeting him as a child at a ski resort one summer. He died in 1983. Only in 1999 or so, 2000, when I was working as an editor at San Francisco Magazine, did I really come back around to that name because Stanford University had just acquired the archive.
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