I am addicted to 'Vogue' magazines, be they French, British - I adore, adore, adore.
I like to make colored xeroxes of things. I clip out pictures of Liza Minelli and her husband from magazines and I fax them to people anonymously.
The industry has died as far as modeling has gone, and I'll tell you why. Magazines are featuring the Halle Berrys and Sarah Jessica Parkers, all the actresses. Makeup companies are featuring all the celebrities. All the models have died.
When you see a fantastic colour or cut in a magazine, perched up on some famous so-and-so's head, it's tempting to ask your stylist for the same, but DO NOT BE FOOLED. The hair in those fancy photos can be very high maintenance.
I don't really relate to myself as The Girl in the Magazine. Which is dangerous for me, too, sometimes, because I don't think all the time, 'Well, look to see if people are following me home.' Sometimes I'm a little bit more free than maybe I should be.
I worked at magazines for over 10 years before I even thought of writing a book.
I don't go to movies, I don't own a television, I don't buy magazines and I try not to receive mail, so I'm not really aware of popular culture.
I grew up in the 'hood around prostitutes, drug dealers, killers, and gangbangers, but I also grew up juxtaposed: On the doorknob outside of our apartment, there was blood from some guy who got shot; but inside, there was National Geographic magazines and encyclopedias and a little library bookshelf situation.
I got the regular call, that they were doing a Broadway musical of Hairspray, and would I come and audition. I was familiar with the movie, because at the time it came out my lover wrote for Premiere magazine, and we had to see everything.
The iPad! What is better designed than that? I read magazines on it, I play Scrabble. I use it for everything.
Every video I'm in, every magazine cover, they stretch you; they make you perfect. It's not real life.
So I went out and bought myself a copy of the Writer and Artist Yearbook, bought lots of magazines and got on the phone and talked to editors about ideas for stories. Pretty soon I found myself hired to do interviews and articles and went off and did them.
I like the idea of people who've had some success in one form secretly wanting to be something else; I have some of that myself. I look for it in other people who've established themselves in some particular art form, and then you find out that they really would like to design running shoes, or edit literary magazines or something.
I'd hate it to become style over substance, I'd hate people to start putting me in a magazine article about my style. I don't like dressing up in something I'm not necessarily comfortable in just to make it more of a show. I want the power to come from what I sing about and how I sing.
You want to know what makes me tick, I'll tell you what makes me tick. I was a boy growing up in Brooklyn; I read a two-penny magazine called 'The Hawk's Nest.' Nobody entered that nest that didn't leave a little richer and a little wiser. And that 11-year-old boy said, 'Isn't that a wonderful thing.' And that's all there is to it.
As a young man... you don't know anything about yourself. And add on to that, you're on the cover of magazines. People are interviewing you about what you think. You feel like a real phony.
For me, the magazine was always the heart of what my life was all about, and the other half was living the life.
I have very strong theories about magazine publishing. And I think that it is the most personal form of journalism. And I think that a magazine is an old friend.
When I see some of the people who are glorified in magazines these days - who are so thin it's bordering on sickness - I just feel exhausted.
I read everything I could find in English - Twain, Henry James, Hemingway, really everything. And then after a while I started writing shorter pieces in English, and one of them got published in a literary magazine and that's how it got started. After that, graduate school didn't seem very important.
Magazines and opinions of you and stuff like that, those will change, but your opinion of yourself does not have to based on what other people say. So I just learned that my inner voice has to be louder than their outside voice.
When I was collecting material for a political gossip column, and someone said something interesting, I would wait for them to add, "and I don't want to read that in your magazine!" In which case I wouldn't use it. But if they didn't remember to say it, I'd nip off to the loo, write the story up, come back and change the subject.
I have had the privilege of working with the best in the business, from photographers to designers to magazines. There's not much more to ask for but I'm still looking forward to one day working with photographers Mert and Marcus, Tim Walker and Nick Knight.
I don't think, 'Gee, I'd like to dress this person.' There was a picture in Us magazine. It was a jersey dress, and Courtney Love was wearing it. I have this thing about Courtney Love, this funny worship.
Like every girl, I felt amazing pressure to look like the popular girls, but no one told me the popular girls were all air brushed in magazines.
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