Magazine stories, the best ones anyway, are generally a combination of three elements: access, narrative, and disclosure.
Francis [Ford Coppola] was on the cover of Time Magazine for One From The Heart and for owning a studio, and he was fresh off of Apocalypse [Now] and The Godfather films, so he was at the absolute top of his game and legend [in The Outsiders ].
I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.
John Wick does different techniques. Everything is available to him. There isn't one way of working a weapon. I like the reload with the flick going outside. That movement of getting rid of the magazine is to go sideways with it.
There's been (if you sort of scan the magazines) announcements of different performers that has come and tried to get the British audience to go crazy, simply by them entering the stage because they had a hit record. It just doesn't happen. That happens in America.
In the long run magazines can't be a convenience play - the Web has stolen that. So magazines have to be high fidelity - a fantastic experience - to thrive. Magazines will survive the Internet age, but only the ones that give people an experience they just can't get anywhere else. A magazine will have to be truly loved to make it.
I just feel that the East and the West are two different worlds. I sometimes get saddened when I see that very few writers of color are published or reviewed in East Coast presses and magazines.
I have made mention of something I've found incredible a lot of times. I'm gonna remind you of it again. A TIME magazine cover back in the mid-1990s. The cover story on that issue of TIME magazine had the following headline Shock: Men and Women are Actually Born Different." When I saw that the first time, I was astounded. I cite it often, because I need to ask you a question: What must you think, what must you believe if you come across research that tells you men and women are born different?
If you're an editor at TIME magazine or writer at TIME magazine and you are shocked to look at real documented research that says men and women are different - what in the world did you believe beforehand?
MAD FREE is simply described as "Liberating Conversations with Revolutionary Women about Beauty, Image and Power". It began as a Salon series in NY loft in Brooklyn as a salve to my broken heart after Honey Magazine folded. It was not because of the readership or because the market wasn't there; the company that held it collapsed, which I was the last editor in chief of.
New generations are intoxicated with the idea that they can make their presence known on the Internet. When I was young, there wasn't anything comparable. Very few got their picture in a magazine, fewer made records. We have to stand back and let them get their footing. Hopefully they'll come to the realization that the most important thing is their work and how they conduct themselves.
I'm crazy about Diane Von Furstenberg. It's a relationship that's very different; I don't see Diane a lot. So when I saw the article in New York magazine she looked so beautiful and it was talking about her work, too. She set up the interview and it was happening. That's different than someone writing a book about you who you've never met.
I've been a makeup artist since I was 12 and it was always a dream of mine back them to have my own line. I would spend hours every night recreating looks I saw in my mother's Cosmo magazines and it was my escape. When you come from a poor background and a family full of alcoholics, you don't fully understand what that means when you're a little kid. I found art and makeup, it changed my life.
There's nothing like getting feedback that's positive and supportive. That's what I'm all about. I'm really just genuinely doing good music. I'm not looking to be on the cover of magazines and I'm not in it for the fame. I'm not in it for selling or the biggest Pop song in the world. I have to go for critically acclaimed. I'd rather go for my peers that I look up to say "I listen to her record." I'd rather do a small little touring venue that has two people who support me as opposed to thousands of people. I mean if it happens, it happens but I'm doing it for me.
There is an interesting and new way to be excited about the fashion world today maybe. The traditional path of fashion as simple magazine images has dissolved - we are seeing new and innovative ways to share, create, and enjoy ideas. I am challenged to learn and explore paths of finding new photographers, stylists, and vision-makers online or through direct contact, connecting with ideas and creativity in new ways, and making images with different outlets. Sometimes more unbridled avenues and unconventional ways lead to things I wouldn't have thought of yet.
I have the mohawk,even though people still call it the mohawk I say "I don't wanna be disrespectful to the Mohican Indians but there is a tribe in Africa called the Mandinka warriors." They're in the west coast of Africa in the country of Mali.I was reading National Geographic Magazine back in 1977, and I saw the warrior standing there with his spear and his beads around his neck and whatnot and the stuff on his ankles. That was what gave me the idea, I said "Wow, let me bring respect to them," so basically what I wear is called a Mandinka cut.
The allegedly 'classy' magazines often seem to be in an endless, undeclared competition to see who can climb furthest up the fundament of Gwyneth Paltrow or Jennifer Lopez.
You know, one wonderful thing that came out of my Enquirer experience is that, in my case, it was ruled tabloids are magazines. Which means they didn't have the protection that a newspaper has.
People hear about stuff from their friends or a magazine or a newspaper.
The Hollywood lifestyle was just overwhelming. A party here, an interview there, magazine and modeling shoots daily, your face everywhere and girls throwing themselves at you. As great as it felt at the time, I still felt something missing, and that I needed to change.
Well, when I started modeling in the mid-'80s, the girls who did shows did shows, and the girls who did magazines did magazines. That's what was understood.
I don't call magazines and let them know about things so they can write stories.
If you're on the cover of any magazine, you certainly get recognized more.
The only magazines I read are car magazines.
I told my mom, 'I'm not buying another magazine until I can get past this thought of looking like the girl on the cover'. She said, "Miley, you are the girl on the cover,' and I was, like, 'I know, but I don't feel like that girl every day.' You can't always feel perfect.
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