It is comforting to know that there is at least one place where we can go and be confident that we will find an audience thirsting to find new music. Paste Magazine is that place. It's loss would create a very large black hole.
Paste just might be my favorite music magazine. They have shed light on many incredible, under-appreciated folks over the years, helping me find new tunes to accompany me through life. We were honored to give a song in return.
Paste Magazine really embodies all that's left of a true independent thought and expression in music journalism in the states right now. Please support the cause and lift them up to keep them moving forward.
I feel like everything great that's beginning to happen in my career started with the 'ink' Paste Magazine gave me!
Paste magazine has served as a tremendous window into culture for my house. I can think of no other publication that provides such critical yet entertaining thoughts on music, movies, books and gaming as Paste. My mailbox would be a dark place indeed without it.
The first time I ever found Paste I thought somebody just might have finally made a magazine using only the contents of my brain. I read it cover to cover every single month.
Paste Magazine needs to stay in business! It's the first non-sensational quality music and film publication that doesn't only attempt to appeal to middle-aged male Bob Dylan completionists! And there are still many of us who love to pick up a print magazine instead of going online.
As women, we are constantly told that we need to compare ourselves to a girl in school, to our co-workers, to the images in a magazine. How is the world going to advance if we're always comparing ourselves to others?
I see it every day: People trying to create a home that somebody else tells them they should have. I don't care if it's a magazine or a bossy friend - when somebody says, 'This is what's elegant, this is what's trendy,' if it doesn't represent you, you're not going to be happy.
In People magazine, Madonna said her life has been exhausting since she started her world tour. She said there isn't a second of her life that isn't taken up looking after her family or thinking of her show - her day is filled with problems of work and family. Someone should tell her, everyone else calls that, life.
I'm not interested in the ego trip of creating or not creating. I'm interested in selling a magazine. Rock-bottom, I sell magazines. I'm a thorough professional who does his job.
In the two books I wrote, even though they were written in a sort of Joycean gobbledegook, there's many knocks at religion and there is a play about a worker and a capitalist. I've been satirising the system since my childhood. I used to write magazines in school and hand them around.
Unfortunately, as far as the music is concerned, what defines relevance is whether you are on the radio or whether you are on the cover of a magazine or whether you're winning MTV awards, and so on and so forth.
That's absolutely true, but one problem with the digital revolution, which may tie into what I said earlier, is that there can be a collapse of quality. You may not have liked the decisions made by publishers in the past, you may not have liked the decisions made by magazine editors or newspaper editors in the past. At least there was some quality control
The reason I keep acting is that it fuels some kind of passion in me, but the day that those butterflies stop, is the day that I'm gonna quit because I could care less about the magazines or being famous or the money or the awards.
Being a teen idol or being a heartthrob on all the magazines, with Shaun Cassidy, Leif Garrett, and Scott Baio - it was embarrassing! I never understood it. I mean, why me? I never really got it.
Middle age is when you realize that you'll never live long enough to try all the recipes you spent thirty years clipping out of newspapers and magazines.
I don't think there's a... boundary between digital media and print media. Every magazine is doing an online version.
My mom was a housewife, and wasn't somebody that people would think of as a feminist, and when Ms. Magazine came out we were incredibly inspired by it. I used to cut pictures out of it and make posters that said, "Girls can do anything", and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. Then she took me to the Soidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever.
I'm not going to read any of these magazines. I mean, because they've just got too much to lose by printing the truth. You know that.
Emmett Till and I were about the same age. A week after he was murdered... I stood on a corner with a gang of boys, looking at pictures of him in the black newspapers and magazines. In one, he was laughing and happy. In the other, his head was swollen and bashed in, his eyes bulging out of their sockets, and his mouth twisted and broken... I couldn't get Emmett Till out of my mind, until one evening I thought of a way to get back at white people for his death.
I was leafing through a magazine where there was a before-and-after picture of a woman who went from a size 5 to a size 3 by liposuction. Was she serious? I've cooked bigger turkeys than her "before" picture.
I'd never consciously left home to see a zombie movie. They were fine by me, but I had no intention of ever being in one. But I've been learning more about it as I've been doing interviews. I didn't even know there were specialist zombie magazines and clubs. I heard the other day that a radio station had asked people if they`d made preparations for an attack by zombies, and a staggering number of people replied yes!
Vanity Fair magazine reports that former President Clinton and Al Gore haven't spoken to each other since George W. Bush's inauguration. Not only that, Bill and his wife, Hillary, haven't spoken since Richard Nixon's inauguration.
Everything that we see in our daily lives is more or less distorted by acquired habits and this is perhaps more evident in an age like ours when cinema posters and magazines present us every day with a flood of ready-made images which are to the eye what prejudices are to the mind. The effort to see things without distortion demands a kind of courage; and this courage is essential to the artist, who has to look at everything as though he were seeing it for the first time.
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