You get up every day and you just give it over to God. And something may come against you because of the unforgiveness. But you recognize that. And you say I'm not going to hold this unforgiveness. It's something that you have to do all the time.
Being a movie star is stressful as hell. You've got to do crunches all day long. You've got to get up and learn lines.
There's something nice about being able to go to sleep at night saying "You know, tomorrow I'm gonna get up and I'm gonna do this and I'm gonna do that...." I think that being an activist on this planet is a privilege and a pleasure.
Being in Cuba has allowed me to live in a society that is not at war with itself. There is a sense of community. It's a given in Cuba that, if you fall down, the person next to you is going to help you get up.
Usually I get up early every morning and from 6:00 to 10:00 I write. The rest of the time I study and prepare my work or I do other things. But four hours a day are exclusively devoted to writing.
Sometimes when I get up after writing, I'm surprised at how my body feels. Suddenly I'm not a lanky, hungry young boy any more. It's no fun putting on ten years and fifty pounds all of a sudden. Other times, I get up and I'm pleasantly surprised that I'm not a weary innkeeper, hopeless, with bones that feel like they're made of lead. I really sink into the characters that I write.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
I think as a performer, it can be really great to stand on stage, especially when you have more time, but I do think about the specific people in the audience, how it's hard for them to get up and go to the bathroom, how they chose not to do other things that night and have turned off their phones and everything. So for that reason, I think it's necessary to mix it up and talk to the audience.
If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.
As a comedian, I can walk out in front of 5000 people and not worry about a thing. Not a thing, believe me. But to stand up a face a camera and crew of maybe 15 guys and get up tight about it - to me that's weird.
Being bipolar and an addict and an alcoholic I have to keep myself very busy. I don't sleep. I am lucky if I get three hours of sleep a night, and so I get up, and my head is full of slamming doors.
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
As an adult, I'm not supposed to go down slides. So if I'm at the top of a slide, I have to pretend that I got there accidentally. "How the hell did I get up here? I guess I have to slide down. Whee!" That's what you say when you're having fun. You refer to yourself and some other people.
I was playing golf. I swung, missed the ball, and got a big chunk of dirt. I swung again, missed the ball, and got another big chunk of dirt. Just then, 2 ants climbed on the ball saying, "Let's get up here before we get killed!"
I don't care if I tell that story and John Roderick gets up afterward and yells, 'I hope you enjoyed the white privilege, mortality comedy of John Hodgman!' That's me!" I'm going to play a sad Handsome Family song at the end and I guarantee you everyone is going to love it because, sometimes, you need a grown man or woman to tell you what you like.
At the time, we were mad at Moammar Gadhafi, which resulted in us bombing all over Libya and killing a bunch of people, but not him. Then Ronald Reagan gets up and says we're not trying to kill him, we're just dropping bombs. You can kill all the Libyans you want, but legally you can't try to kill the leader.
Standup is tough; if you are going through a hard period in your life, it is very hard to get up in front of people and be the happy guy in the room.
If I'm stuck, I get up from my chair and I wash windows. Or... clean the bathroom. Or vacuum the attic. There's always something to be done.
When I was a kid down there it was always a dream to go to a Nebraska game but when you live in those small towns you hardly ever get up to one.
My writing habits are pretty static. I get up every morning between 6 and 7 am, grab a cup of coffee, say a few prayers, and go downstairs to my office and start writing.
I had decided to be a magician well before I decided to be a writer. I was the little boy who would get up on-stage and do magic wearing a fake mustache, which would fall off during the performance. I'm still trying to perform those tricks. Now I do it with writing.
There's an interesting study that says wealthy people get up three hours before their first outside appointment.
Many successful people get up before 6am in the morning. They have rituals. They exercise, stretch, organize their day, and walk through that series of rituals.
Unsuccessful people get up whenever they feel like it and the first thing they do is watch television, read the paper, or check email. The rest of the day is pretty much 50% below maximum performance.
If you get up by 6am, exercise, plan your day, and start on your biggest task, then your whole day is different. If you do this regularly it becomes a habit.
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