I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.
Every casting director I've met is a woman.
How people are around a director, it really does affect everything, every detail of the life of the movie.
I've run into some S.O.B. directors, but I gave them back as good as I got.
My sole inspiration is a telephone call from a director.
Directors and writers have a lot of stress as well, because they have people they answer to.
I think Van Sant is the most important American director we have. He takes the most risks. He's just pure to me.
Jim Brooks is a very powerful director and it was a lot of intense work.
I would love to have a part opposite a great actor - like, say, Pacino or De Niro or Hoffman. And to work with a top director. That's my dream.
Every director is completely different.
The first thing I ask when Im offered a part is, Whos the director? which is something they never understand in Los Angeles.
How can you have a director that doesn't go to work with the crew every day and talk to them?
Id love to see more women working as directors and producers.
Personally Im very happy to be behind the scenes. I like collaboration, I like working with directors.
You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.
Carefully execute every instruction given to you by the director, producer, and studio. But that would be a life not worth living.
I always think that a director who knows about the technical side, but cares about the acting performances and casting as well, is ahead of the game.
I had no plans to be a director.
Every part I've done has been for one reason or another-money, or the part, or the director, or the location. I'd like to get one thing that's all of those combined.
I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made.
The director took my face in his hands and asked me to show him my teeth, as with a horse. This happened on a Wednesday, and by the following Monday I was shooting.
You have always had individual directors who begin in the advertising or commercial world, but they are probably exceptions rather than the traditional pattern.
You don't even need the director's judgement. It's too much.
The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.
I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.
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