I don't think of myself as a director or writer. I think of myself as a filmmaker.
I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films.
I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.
Time is a precious thing. Never waste it.
Before you can steal fire from the Gods you gotta be able to get coffee for the director.
Music is just one of the tools a director has with which to paint and I think it's one of the most effective.
I had no natural gift to be anything - not an athlete, not an actor, not a writer, not a director, a painter of garden porches - not anything. So I've worked really hard, because nothing ever came easily to me.
I admire directors so much, I find them incredible: they manage such a huge number of people of different characters, think of the money involved.
One of the great things about being a director as a life choice is that it can never be mastered. Every story is its own kind of expedition, with its own set of challenges.
I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.
When I grow up, I still want to be a director.
Style is something that's extremely important, but it must grow naturally out of who and what you are and what the material calls for. It cannot be superimposed.
Work hard, don't quit, be appreciative, be thankful, be grateful, be respectful, also to never whine ever, never complain, and, always, for crying out loud, keep a sense of humor.
Every director bites the hand that lays the golden egg.
I'm on the board of directors for Peace Now, which works tirelessly between the Palestinians and the Israelis to create peace in the Middle East and we've never been closer.
I never had any classes or went to theatre school like a lot of actors, so all of my training has been on stage with different directors. That was a pretty good school room.
I think every director has a different take, some are good, some are bad. The directors you get on best with sometimes don't make the best films, so who's to say who is right?
As a director, you try to find what is creative.
Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience.
Ultimately in the end, it's the director's choice
Whatever you want to do, do it now. There are only so many tomorrows.
All of the directors I've worked with I have loved and would work with again. I have no favorites.
Now, I have big-money offers on three movies, and I have director approval. That's kind of scary,' he says. 'No directors have been attached. That's a lot of pressure on me
I have great respect for directors who know what they're doing.
In the future, everybody is going to be a director. Somebody's got to live a real life so we have something to make a movie about.
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