Directors never give you anything.
Directors work 10 times harder than anyone else. Get paid a quarter.
Directors, producers can make you look good or make you look bad.
Clint Eastwood is an extraordinary director because he knows the value of a buck. He knows where it will show on the screen.
I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.
As an artist, program directors always want to put you in a little box.
In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real.
If it gets to the Supreme Court, I'll have the directors of every museum in the country as expert testimony that my work is legitimate art.
Whatever talent I had, I'm sure it helped that my parents were in the business and that I grew up around actors, comedians and directors.
Most directors have little lists in their heads of people they really want to work with.
Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism.
There are a few directors around who I have some excitement about spending my $7 at the theatre watching their movies.
I get crushes on directors because they are so brilliant.
Some directors hardly talk to the actors at all.
I should mention that I am a member of the board of directors of Dimensional Fund Advisors.
Everything is entertainment; criticism is now entertainment and it seems that the French directors have woken up one day and suddenly realised that they were not backed up any more.
I don't even know if I can call myself a director.
All the directors that I've had the opportunity to work with are fantastic.
First, speaking for myself, I don't want to ever be in a position where I'm telling other directors how to make movies, because I don't think it's any of my business.
So I've had really great assistant directors for my last seven movies.
When actors give their input, it can be very ego-driven, and directors are scared of that.
I get to play a great character while working with great actors and great directors on a great show.
All I need to make a comedy is a park, a policeman and a pretty girl.
If the director says you can do better, particularly in a love scene, then it is rather embarrassing.
I don't come in with any preconceived ideas, and although I will have done some preparation, I can go which way the director wants.
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